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<title>Cultura Latinoamericana. Vol. 32 Núm. 2 (julio-diciembre 2020)</title>
<link>http://elea.unisa.it/xmlui/handle/10556/5421</link>
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<dc:date>2026-04-14T14:57:49Z</dc:date>
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<title>Superar los dualismos en las ciencias sociales: Reseña  del libro  Beyond the Dichotomy Between Altruism and Egoism: Society, Relationship and  Responsibility,  de  E. Mangone, Charlotte,  NC:  Information  Age  Publishing [recensione]</title>
<link>http://elea.unisa.it/xmlui/handle/10556/5693</link>
<description>Superar los dualismos en las ciencias sociales: Reseña  del libro  Beyond the Dichotomy Between Altruism and Egoism: Society, Relationship and  Responsibility,  de  E. Mangone, Charlotte,  NC:  Information  Age  Publishing [recensione]
Maldonado, Carlos Eduardo
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<dc:date>2020-01-01T00:00:00Z</dc:date>
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<item rdf:about="http://elea.unisa.it/xmlui/handle/10556/5692">
<title>Características da fala acadêmica monitorada no brasil: os videoverbetes da encidis entre pb técnico-científico e pb neo-standard</title>
<link>http://elea.unisa.it/xmlui/handle/10556/5692</link>
<description>Características da fala acadêmica monitorada no brasil: os videoverbetes da encidis entre pb técnico-científico e pb neo-standard
De Rosa, Gian Luigi
O presente trabalho pretende investigar uma série de características dafala acadêmica brasileira, destacando-se o maior preenchimento do sujeitoreferencial em relação ao PB standard e alguns fenômenos sintáticos considerados prováveis efeitos colaterais do primeiro. Nossa análise está baseadanuma amostra constituída por videoverbetes da Enciclopédia audiovisualde termos, conceitos e pesquisas em Análise do Discurso e áreas afins (ENCIDIS), um projeto audiovisual mediado pela web que reúne as falas depesquisadores brasileiros especialistas em Análise do Discurso (e outrasáreas). A análise visa descrever este gênero textual híbrido, bem comoa variedade diamésica do PB, empregada nos videoverbetes, que vaidesde um registro mais formal (PB técnico e científico) até um registrosemiformal (PB neo-standard).
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<dc:date>2020-01-01T00:00:00Z</dc:date>
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<title>Pentecostalismo e identidad nacional. El uso de la iconografía en los templos pentecostales de Chile</title>
<link>http://elea.unisa.it/xmlui/handle/10556/5691</link>
<description>Pentecostalismo e identidad nacional. El uso de la iconografía en los templos pentecostales de Chile
Delgado López, Enrique; Palomo  Hatem, Ludwing Eder Faisal
In the early years of the twentieth century, an autochthonous Pentecostalism emerged in Chile, which, among other things, differed from the rest of the Latin American Pentecostalisms by the ornamentation of its temples, since they are adorned with murals that contain representations of biblical  passages,  but  go  further,  because  in  them  they  incorporate  icons of the national, regional and landscape culture of the country. this research article focus on these murals act as pedagogical elements to consolidate 
the Pentecostal doctrine, at the same time as they form a national identity, which is rooted in a kind of civic-religious binomial, since the iconography links its faith with its geographic and cultural context.
</description>
<dc:date>2020-01-01T00:00:00Z</dc:date>
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<title>O engenheiro Gadda e o doutor Guimarães Rosa: dois alquimistas a maquinar com a língua</title>
<link>http://elea.unisa.it/xmlui/handle/10556/5690</link>
<description>O engenheiro Gadda e o doutor Guimarães Rosa: dois alquimistas a maquinar com a língua
Gori, Barbara
Carlo  Emilio  Gadda  (1893-1973)  and  João  Guimarães  Rosa  (1908-1967)  are  two  very  different  writers:  different  the  country,  different  the  social  background, different the cultural environment in which they grow and form, different the motivation that pushes to write. However, they have a great passion in  common:  the  experimentation  and  linguistic  innovation  that  become  style and form of their own work. Of the two authors, are examined here two of their most significant novels: La cognizione del dolore , composed by Gadda between 1938 and 1941 and published first in installments in the magazine Letteratura and then by Einaudi, unfinished, in 1963; and Grande sertão: veredas, considered  the  magnum  opus  of Guimarães  Rosa,  published  in  1956.  What  unites these two novels, masterpieces of the twentieth century, is precisely the plurilinguism which, cross and delight of their fortune, so different but yet similar, becomes  the  philosopher’s  stone  of  the  linguistic  research  of  the  two  writers, the only one capable of restoring, in the case of Gadda, and redeeming, in that 
of Guimarães Rosa, the language and the society of their time.
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<dc:date>2020-01-01T00:00:00Z</dc:date>
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