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<title>Vol 1, No 2 (2016): Interculturality</title>
<link>http://elea.unisa.it/xmlui/handle/10556/2271</link>
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<pubDate>Mon, 20 Apr 2026 12:21:54 GMT</pubDate>
<dc:date>2026-04-20T12:21:54Z</dc:date>
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<title>Report on Migrants and Refugees across Europe. How to share the challenge for a shared world of peace. International Seminar. Rome 27-29 April 2016</title>
<link>http://elea.unisa.it/xmlui/handle/10556/2283</link>
<description>Report on Migrants and Refugees across Europe. How to share the challenge for a shared world of peace. International Seminar. Rome 27-29 April 2016
Fonzo, Erminio
Report of the Seminar
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<pubDate>Fri, 01 Jan 2016 00:00:00 GMT</pubDate>
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<dc:date>2016-01-01T00:00:00Z</dc:date>
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<title>Picking Up the Brush for Emperors and Sultans. Imperial Portraits as Representations of Power in The Early Modern Mediterranean (Ca. 1450-Ca. 1650)</title>
<link>http://elea.unisa.it/xmlui/handle/10556/2282</link>
<description>Picking Up the Brush for Emperors and Sultans. Imperial Portraits as Representations of Power in The Early Modern Mediterranean (Ca. 1450-Ca. 1650)
Olgun, Zeynep
This paper aims to discuss the influence of interdependently effective political discourses and cultural differences in early modern Mediterranean regarding the motives for official state portraiture. Therefore, the paper will focus on the portraits of monarchs, foremost the depictions of Philip IV of Spain by the court painter Velázquez and works of Titian under the patronage of Charles V and Philip II in order to analyse, how the conservative portraiture culture was established and maintained during the so-called Siglo de Oro. In contrast to the western Mediterranean, the intercultural portraiture style of the Ottoman Emperor Mehmed II will be given to emphasize the significant role of political inclinations of monarchs on their portraits. A multi-layered approach lies therefore at the basis of full socio-political and cultural comprehension of the paintings to overcome a simple analysis and to contextualize the work of art within both macro and micro historical perspective.
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<pubDate>Fri, 01 Jan 2016 00:00:00 GMT</pubDate>
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<dc:date>2016-01-01T00:00:00Z</dc:date>
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<title>Communication for Cultural Integration : The Case of a Secondary Reception Centre</title>
<link>http://elea.unisa.it/xmlui/handle/10556/2281</link>
<description>Communication for Cultural Integration : The Case of a Secondary Reception Centre
Tammaro, Rosanna; Calenda, Marika; Iannotta, Iolanda S.; Ferrantino, Concetta
The language, a human species-specific activity, permits of knowing, organizing and recounting the reality that around us. Although the vocal level represents the preferred channel of expression, everyday experiences are shared in many ways in the community. Facial expressions, gestures, but in general, our action are reflection of the culture that has shaped us. In this paper, the authors report some considerations about the typical communication dynamics of a Secondary Reception Centre, in the context of the province of Avellino (Italy). The descriptive observation realised in the fieldwork, shows that a designed and oriented educational communication looks after of the distinctive characteristics of each. Consequently, a reflection on the individual and collective communication practices could allow overcoming the mere reception and predicting a real introduction into the social substratum of the Host Country.
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<pubDate>Fri, 01 Jan 2016 00:00:00 GMT</pubDate>
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<dc:date>2016-01-01T00:00:00Z</dc:date>
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<title>Fostering Interculturality in Urban Ethnic Neighbourhoods: Opportunities and Limits of the Responsible Tourism Approach</title>
<link>http://elea.unisa.it/xmlui/handle/10556/2280</link>
<description>Fostering Interculturality in Urban Ethnic Neighbourhoods: Opportunities and Limits of the Responsible Tourism Approach
Moralli, Melissa
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<pubDate>Fri, 01 Jan 2016 00:00:00 GMT</pubDate>
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<dc:date>2016-01-01T00:00:00Z</dc:date>
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