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«Fatti da raccontare»: Piero Chiara fra realtà e finzione
(2018)
The essay deals with Piero Chiara’s method of work, always relying upon the reality,
from which the writer takes his characters’ names and the facts described in his short
stories and novels. As a specimen of a similar ...
Sull’ultimo romanzo di Pirandello
(2018)
Giancarlo Mazzacurati defined One, No One and a Hundred Thousand, as Pirandello’s
testamentary novel, a breathless and more or less conscious experiment of self-analysis
as well as of self-therapy». The protagonist’s ...
Il potere evocativo dell’immagine nel bestiario pirandelliano
(2018)
Pirandello’s interest in animals is evident in the narrative, in the early poems and in the
plays. There is no shortage of critical juxtapositions to the fable and to Aesop, and in the
critical literature of Pirandello ...
Reading Frantz Fanon’s The Wretched of The Earth (1965) as a Social Drama Performance
(2018)
The present paper focuses on the process of performance, which takes the center of the
stage in Frantz Fanon’s The Wretched of the Earth (1965). The author’s presentation of
the conceptual features of Enlightenment in ...
Desenmascaramiento, inmigración y neo-grotesco criollo: una aproximación a anclado en Madrid de Roberto Ibáñez
(2018)
This paper is an analysis of Anclado en Madrid (1991), written by the Argentinean
playwright and actor Roberto Ibanez. It focuses on how elements from the “grotesco
criollo” tradition from the beginning of the XX Century ...
Per una morfologia del tragico memoria, archeologia e déjà-vu nella Città morta di d’Annunzio
(Avellino : Associazione culturale Internazionale Sinestesie, 2016)
Il saggio si concentra sulla Città morta di d’Annunzio, e ne offre una lettura condotta lungo
tre direttrici fondamentali: la percezione del “senso tragico”; la questione della memoria
mitica e gli elementi della psicologia ...