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Sull’ultimo romanzo di Pirandello
(2018)
Giancarlo Mazzacurati defined One, No One and a Hundred Thousand, as Pirandello’s
testamentary novel, a breathless and more or less conscious experiment of self-analysis
as well as of self-therapy». The protagonist’s ...
Il potere evocativo dell’immagine nel bestiario pirandelliano
(2018)
Pirandello’s interest in animals is evident in the narrative, in the early poems and in the
plays. There is no shortage of critical juxtapositions to the fable and to Aesop, and in the
critical literature of Pirandello ...
Arab-Muslim theatre defended
(2018)
This article re-visits Greek and Arab-Muslim theatres from the avant-garde perspective
to illuminate the aesthetics of theatre to which scholars in the School of Orientalism and
the School of Arab Intelligentsia should ...