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dc.contributor.authorPieri, Marzia
dc.date.accessioned2020-01-08T10:04:44Z
dc.date.available2020-01-08T10:04:44Z
dc.date.issued2019
dc.identifier.citationPieri, Marzia, "ll diario quotidiano di un attore: i taccuini di Ruggero Ruggeri." Sinestesieonline, A. 8, no. 26 (Maggio 2019) : 25-29it_IT
dc.identifier.issn2280-6849it_IT
dc.identifier.urihttp://sinestesieonline.it/wp-content/uploads/2019/06/maggio2019-14.pdfit_IT
dc.identifier.urihttp://elea.unisa.it:8080/xmlui/handle/10556/4048
dc.identifier.urihttp://dx.doi.org/10.14273/unisa-2265
dc.description.abstractThe long career of Ruggero Ruggeri started in the late Naturalism and finished at the beginning of the 1950s without knowing crisis or setbacks. During this period the old Italian theatre was replaced by a new role acquired by the direction, but this revolution seemed not to touch the world-famous actor, always devoted to his role of artistic director and to the 1800s century tradition and to the more commercial French theatre. Ruggeri interpreted autonomously his characters, included his hobbyhorses, the Aligi of D’Annunzio and the Enrico IV of Pirandello, and embodied, according to Silvio d’Amico, the last example of the Great Italian Actor. His notebooks (1888-1953) documented meticulously his everyday work and represented an important document still unexplored.it_IT
dc.format.extentP. 25-29it_IT
dc.language.isoitit_IT
dc.publisherAvellino : Associazione culturale Internazionale Sinestesieit_IT
dc.sourceUniSa. Sistema Bibliotecario di Ateneoit_IT
dc.subjectRepertorioit_IT
dc.subjectGrande attoreit_IT
dc.subjectAutobiografiait_IT
dc.subjectPirandelloit_IT
dc.subjectD’Annunzioit_IT
dc.subjectRepertoireit_IT
dc.subjectGreat actorit_IT
dc.subjectAutobiographyit_IT
dc.titleIl diario quotidiano di un attore: i taccuini di Ruggero Ruggeriit_IT
dc.typeJournal Articleit_IT
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