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Raccontando «tristi storie della morte dei re».Testo, contesto e rappresentazioni del Riccardo II di Shakespeare
(Roma : Carocci, 2013)
William Shakespeare’s Richard ii presents philosophical and political themes related to
the history of England and a symbolical interpretation of the Wars of the Roses, on the
one hand; and to the person of Queen Elizabeth ...
‘Ich will nach Europa!’: lingua e performance in Perikızı. Ein Traumspiel di E. S. Özdamar
(Roma : Carocci, 2013)
Perikızı. Ein Traumspiel is a play, conceived and written by the writer, director and
German actress of Turkish origin Emine Sevgi Özdamar to be represented within the
international project Odyssee Europe in Germany in ...
Gender and Cross-dressing in the Seventeenth Century: Margaret Cavendish Reads Shakespeare
(Roma : Carocci, 2013)
Is there a woman in Shakespeare? This might sound facetious, but it is not so outlandish
in the context of boy actors. Elizabethan drama was after all designed and stagemanaged
by men mostly for men. In this context, is ...
Looking for his “Part”: Performing Hamlet in new millennium Europe
(Roma : Carocci, 2013)
Much has changed in Europe since the euphoria of the early nineteen-nineties of the
last century: massive migration, pan-European Neo-Nazism, a new and active Moslem
self-awareness, the resurgence of Russian Nationalism, ...
Il didatta, lo sciamano e l’interprete: Le baccanti euripidee secondo Luigi Squarzina
(Roma : Carocci, 2013)
The contribution’s goal is to piece together the critical analysis project at the root of
Squarzina’s directorial work on The Bacchae staging at Teatro Stabile in Genoa 1969.
This preparatory path gives origin to a vast ...
O’Neill’s Long Day’s Journey into Night on the Romanian Stage: Valorizing the performance potential in production history
(Roma : Carocci, 2013)
This paper deals with the continuing dialogue between dramatic text and audience,
while resorting to the tenets of reception theory. I have focused on the moral issues
resulting from the unfolding of dramatic action in ...
Performative pop. Faserland (1995) di Christian Kracht
(Roma : Carocci, 2013)
Kracht’s first novel is about a trip through Germany. The first-person narrator, a semialcoholic
young man belonging to the upper class, travels from the north to the south of
the country; he spends his time going to ...
Performing Dancing at Lughnasa on screen
(Roma : Carocci, 2013)
Considered one of the most representative playwrights in the contemporary Irish scene, Brian Friel offers in his plays a changeable and inconstant perception of language, where words are mainly understood as transitory and ...
Tra narrazione biblica e performatività liturgica: il Planctus virginum Israel super filia Iepte Galadite di Abelardo
(Roma : Carocci, 2013)
The Planctus virginum Israel super filia Iepte Galadite is the best known of six poems
for music unanimously attributed to Abelard, generally known as the planctus. Reconsideration
of some significant moments in the ...
Dal manoscritto alla scena: El piadoso aragonés di Lope de Vega
(Roma : Carocci, 2013)
Some of Lope de Vega’s comedies, those witnessed by an autograph manuscript, are
of undeniable interest, as they provide the opportunity to observe closely the author’s
work of composition which resulted in the text to ...