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  <title>DSpace Community: Rivista di studi letterari, linguistici e filologici dell'Università di Salerno, Dipartimento di Studi Umanistici</title>
  <link rel="alternate" href="http://elea.unisa.it/xmlui/handle/10556/476" />
  <subtitle>Rivista di studi letterari, linguistici e filologici dell'Università di Salerno, Dipartimento di Studi Umanistici</subtitle>
  <id>http://elea.unisa.it/xmlui/handle/10556/476</id>
  <updated>2026-05-08T10:19:22Z</updated>
  <dc:date>2026-05-08T10:19:22Z</dc:date>
  <entry>
    <title>Narrazioni del trauma e altre storie</title>
    <link rel="alternate" href="http://elea.unisa.it/xmlui/handle/10556/9138" />
    <author>
      <name>Gheri, Paola</name>
    </author>
    <author>
      <name>Grillo, Rosa Maria</name>
    </author>
    <author>
      <name>Natale, Aureliana</name>
    </author>
    <author>
      <name>Vaccaro, Valeria Anna</name>
    </author>
    <id>http://elea.unisa.it/xmlui/handle/10556/9138</id>
    <updated>2026-02-23T07:28:20Z</updated>
    <published>2025-01-01T00:00:00Z</published>
    <summary type="text">Title: Narrazioni del trauma e altre storie
Authors: Gheri, Paola; Grillo, Rosa Maria; Natale, Aureliana; Vaccaro, Valeria Anna</summary>
    <dc:date>2025-01-01T00:00:00Z</dc:date>
  </entry>
  <entry>
    <title>Coping with Trauma in Ancient Mesopotamia: Thoughts on the Religious Milieu of the “Lamentations”</title>
    <link rel="alternate" href="http://elea.unisa.it/xmlui/handle/10556/9137" />
    <author>
      <name>Corrente, Paola</name>
    </author>
    <id>http://elea.unisa.it/xmlui/handle/10556/9137</id>
    <updated>2026-02-23T07:14:19Z</updated>
    <published>2025-01-01T00:00:00Z</published>
    <summary type="text">Title: Coping with Trauma in Ancient Mesopotamia: Thoughts on the Religious Milieu of the “Lamentations”
Authors: Corrente, Paola
Abstract: In the literary tradition of ancient Mesopotamia, a distinct poetic genre, known as the “lamentations”,&#xD;
exists. This corpus of texts explores the theme of human and divine expressions of suffering in response&#xD;
to dramatic events.&#xD;
A particularly noteworthy category of lamentations are the city laments, composed in the aftermath of&#xD;
the fall of the Sumerian cities, which evoke the historical episodes surrounding the collapse of the Third&#xD;
Dynasty of Ur (late III millennium BCE). These laments, in their both private and public manifestations,&#xD;
bear a close resemblance to the tenets of polytheistic religion, underpinned by the concept of the universal&#xD;
order and the reciprocal relationship between deities and human beings.&#xD;
In this contribution, I shall offer a commentary on a selection of laments, including those that pertain to&#xD;
the city laments, and a number of poems that are associated with the narrative of the dying gods. This will&#xD;
serve to illustrate the overarching theme of the emotional distress experienced by the gods. The analysis&#xD;
of the religious characteristics of the lamentations aims to highlight the bond between this literary genre&#xD;
and religion, since the lamentations echo the latter’s role in achieving and safeguarding the existential&#xD;
harmony of men and gods in an ordered universe.</summary>
    <dc:date>2025-01-01T00:00:00Z</dc:date>
  </entry>
  <entry>
    <title>Révolution, trauma et narration: Les Proscrits de Charles Nodier</title>
    <link rel="alternate" href="http://elea.unisa.it/xmlui/handle/10556/9136" />
    <author>
      <name>Pellegrino, Rosario</name>
    </author>
    <id>http://elea.unisa.it/xmlui/handle/10556/9136</id>
    <updated>2026-02-23T07:28:55Z</updated>
    <published>2025-01-01T00:00:00Z</published>
    <summary type="text">Title: Révolution, trauma et narration: Les Proscrits de Charles Nodier
Authors: Pellegrino, Rosario
Abstract: Charles Nodier (1780-1844) is the author of the post-revolutionary generation who embodied the sense&#xD;
of trauma, pain, and remembrance. In his first novel, Les Proscrits, an anonymous character embodies the&#xD;
sense of this pain and becomes the first of the characters who, through writing, can express the suffering&#xD;
of a difficult and painful phase of French history marked by glorious aspects and moments of extreme&#xD;
suffering and tension. The paper intends to analyse the character, the forerunner of men suffering because&#xD;
of the political condition, to investigate the expressions of pain and trauma, dwelling, as well, on the&#xD;
psychological aspects that condition such language. The main thread will be the memory between denial&#xD;
and sense of experience that becomes suffering and anonymity.</summary>
    <dc:date>2025-01-01T00:00:00Z</dc:date>
  </entry>
  <entry>
    <title>«Man hat auch sein Fleisch und Blut». Il trauma dell’addestramento nel Woyzeck di Georg Büchner</title>
    <link rel="alternate" href="http://elea.unisa.it/xmlui/handle/10556/9135" />
    <author>
      <name>Liguori, Daniela</name>
    </author>
    <id>http://elea.unisa.it/xmlui/handle/10556/9135</id>
    <updated>2026-02-23T07:28:18Z</updated>
    <published>2025-01-01T00:00:00Z</published>
    <summary type="text">Title: «Man hat auch sein Fleisch und Blut». Il trauma dell’addestramento nel Woyzeck di Georg Büchner
Authors: Liguori, Daniela
Abstract: Inspired by a true story which took place in the 1820s, the play Woyzeck by Georg Büchner gives voice to&#xD;
the traumatic experience of a soldier guilty of murder. The aim of the essay is to investigate how Woyzeck&#xD;
is in the play a perpetrator, but also a victim of the power structures in the social context in which he lives&#xD;
(military life, science, bourgeois morality).</summary>
    <dc:date>2025-01-01T00:00:00Z</dc:date>
  </entry>
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