Please use this identifier to cite or link to this item: http://elea.unisa.it/xmlui/handle/10556/1135
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dc.date.accessioned2014-02-21T10:29:07Z-
dc.date.available2014-02-21T10:29:07Z-
dc.description.abstractThis paper deals with the continuing dialogue between dramatic text and audience, while resorting to the tenets of reception theory. I have focused on the moral issues resulting from the unfolding of dramatic action in Eugene O’Neill’s Long Day’s Journey into Night and analyzed the ideological implications of performance in the course of this play’s stage history in Romania.en_US
dc.language.isoenen_US
dc.identifier.citationBulz, Adriana Carolina. “O’Neill’s Long Day’s Journey into Night on the Romanian Stage: Valorizing the performance potential in production history.” «Testi e linguaggi» 7(2013):165-177. [Studi monografici. Letteratura in performance, a cura di A. D’Amelia e A. Piazza]en_US
dc.titleO’Neill’s Long Day’s Journey into Night on the Romanian Stage: Valorizing the performance potential in production historyen_US
dc.sourceUniSa. Sistema Bibliotecario di Ateneoen_US
dc.contributor.authorBulz, Adriana Carolina-
dc.date.issued2013-
dc.identifier.urihttp://hdl.handle.net/10556/1135-
dc.identifier.urihttp://dx.doi.org/10.14273/unisa-25-
dc.typeArticleen_US
dc.format.extentP. 165-177en_US
dc.identifier.issn1974-2886en_US
dc.subjectO’Neillen_US
dc.subjectPerformanceen_US
dc.subjectRomaniaen_US
dc.publisher.alternativeRoma : Carocci-
Appears in Collections:Testi e linguaggi. Vol.7 (2013)

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