Utilizza questo identificativo per citare o creare un link a questo documento: http://elea.unisa.it/xmlui/handle/10556/3253
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Campo DCValoreLingua
dcterms.contributor.authorNuzzo, Giulia-
dc.date.accessioned2019-04-19T10:33:51Z-
dc.date.available2019-04-19T10:33:51Z-
dcterms.date.issued2017-
dcterms.identifier.citationNuzzo, G. (2017). Los conflictos de poderes en el estado constitucional: el caso de estudio Venezuela. Editorial. Cultura Latinoamericana. Revista de Estudios Interculturales. 25 (1). pp. 134-164it_IT
dcterms.identifier.issn2346-0326it_IT
dcterms.identifier.urihttp://hdl.handle.net/10556/3253-
dcterms.identifier.urihttp://dx.doi.org/10.14273/unisa-1518-
dc.description.abstractAmong the new voices of the Colombian narrative, and within the context of a solid and long tradition of literature of violence, we point out the literary production of a young writer of Santander, Daniel Ferreira, who delivered the first expression of an organized “Pentalogía (infame) de Colombia” in his three novels: Balada de los bandoleros baladíes (2011), Viaje al interior de una gota de sangre (2011) and Rebelión de los oficios inútiles (2014). This article proposes an introduction to his work, analyzing above all the literary aspects of his last novel, which, based on a fragmentary and ambiguous construction of documentary marks, relights the deep reflection about the memories and the oblivion of all those conflicts that dramatically portrayed the history of the country.it_IT
dcterms.format.extentP. 134-164it_IT
dc.language.isoesit_IT
dcterms.sourceUniSa. Sistema Bibliotecario di Ateneoit_IT
dcterms.subjectDaniel Ferreirait_IT
dcterms.subjectColombian Literatureit_IT
dcterms.subjectViolence in literatureit_IT
dcterms.titleLa “Pentalogía (infame) de Colombia” de Daniel Ferreira: una aproximación a su obrait_IT
dcterms.typeJournal Articleit_IT
dcterms.identifier.e-issn2539-0791it_IT
È visualizzato nelle collezioni:Cultura Latinoamericana. Vol. 25, Núm. 1 (enero-junio 2017)

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