1. Elea
  2. Edizioni Sinestesie
  3. Sinestesieonline
  4. Sinestesieonline. A. 8, no. 25 (Gennaio 2019)
Please use this identifier to cite or link to this item: http://elea.unisa.it/xmlui/handle/10556/3976
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dcterms.contributor.authorPiazza, Laura
dc.date.accessioned2019-12-03T14:42:59Z
dc.date.available2019-12-03T14:42:59Z
dcterms.date.issued2019
dcterms.identifier.citationPiazza, Laura, "Il paradigma dell’arte sinestetica: la rinascita della messa in scena tragica al teatro greco di Siracusa." Sinestesieonline, A. 8, no. 25 (Gennaio 2019): 13-19it_IT
dcterms.identifier.issn2280-6849it_IT
dcterms.identifier.uriIl paradigma dell’arte sinestetica: la rinascita della messa in scena tragica al teatro greco di Siracusait_IT
dcterms.identifier.urihttp://elea.unisa.it:8080/xmlui/handle/10556/3976
dcterms.identifier.urihttp://dx.doi.org/10.14273/unisa-2196
dc.description.abstractThe essay describes the main stages of the conception and organization of classical representations in the Greek theater in Syracuse, starting from 1914. Mario Tommaso Gargallo’s and Ettore Romagnoli’s work is set in the age of the open air theater, widespread in Europe since the late nineteenth century, and immediately dialogues with the major expressions of the first avant-garde. The goal of their work was to look at the Greek paradigm to create a new model for the contemporary scene, starting from a staging that can unify together word, music and dance. The National Institute of Ancient Drama (INDA) was able to activate and preserve those exceptional circumstances that, according to Édouard Schuré, had failed in Bayreuth and Orange; and it imposed an ethical and aesthetic model of formal unity, which leaved a mark on the Italian indoor scene of the early twentieth century.it_IT
dcterms.format.extentP. 13-19it_IT
dc.language.isoitit_IT
dcterms.publisher.alternativeAvellino : Associazione culturale Internazionale Sinestesieit_IT
dcterms.sourceUniSa. Sistema Bibliotecario di Ateneoit_IT
dcterms.subjectTeatro all’apertoit_IT
dcterms.subjectIstituto nazionale del dramma anticoit_IT
dcterms.subjectEttore Romagnoliit_IT
dcterms.subjectMario Tommaso Gargalloit_IT
dcterms.titleIl paradigma dell’arte sinestetica: la rinascita della messa in scena tragica al teatro greco di Siracusait_IT
dcterms.typeJournal Articleit_IT
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