Please use this identifier to cite or link to this item: http://elea.unisa.it/xmlui/handle/10556/3977
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dcterms.contributor.authorZouidi, Nizar
dc.date.accessioned2019-12-03T14:53:18Z
dc.date.available2019-12-03T14:53:18Z
dcterms.date.issued2019
dcterms.identifier.citationZouidi, Nizar, "Between Florence and Glamis: on Macbeth’s Machiavellian phase." Sinestesieonline, A. 8, no. 25 (Gennaio 2019): 2-11it_IT
dcterms.identifier.issn2280-6849it_IT
dcterms.identifier.urihttp://sinestesieonline.it/wp-content/uploads/2019/02/gennaio2019-13.pdfit_IT
dcterms.identifier.urihttp://elea.unisa.it:8080/xmlui/handle/10556/3977
dcterms.identifier.urihttp://dx.doi.org/10.14273/unisa-2197
dc.description.abstractThe influence of Machiavelli on Early Modern British drama is quite obvious. The character named after him haunts the stage in different forms. Despite the official ban enacted by ecclesiastical and secular authorities and the attacks of the moralist and intellectual of the time, his precepts were extremely popular. Shakespeare represented him in his plays. Richard III, Henry IV and Claudius show many traits related to Machiavellism. Macbeth is also influenced by the Florentine political theorist. However, the role of the Machiavellian imagination in the play does not extend to the entire action of the play. The Machiavellian phase of Macbeth’s life seems to be an exploration of the epistemological claims of that theory that exhausts its potentialities and uncovers its limits. Macbeth renounces Machiavellism after he fails to kill Fleance. Along with Machiavelli’s percepts, the hero villain discards his wife who no longer plays any significant role in his plans. He leaves her burdened with more than her own guilt to continue on his path of destructive search for the ultimate power of knowing and controlling the future. This article seeks to analyze the Machiavellian phase of Macbeth’s life and discover the reasons why he renounces Machiavellianism. It argues that Machiavelli’s theory fails to rationalize the world of Macbeth/Macbeth to provide the hero-villain with a reliable framework of knowledge and action.it_IT
dcterms.format.extentP. 2-11it_IT
dc.language.isoitit_IT
dcterms.publisher.alternativeAvellino : Associazione culturale Internazionale Sinestesieit_IT
dcterms.sourceUniSa. Sistema Bibliotecario di Ateneoit_IT
dcterms.subjectMacbethit_IT
dcterms.subjectMachiavelliit_IT
dcterms.subjectEpistemologyit_IT
dcterms.subjectPowerit_IT
dcterms.subjectPsychologyit_IT
dcterms.subjectLady Macbethit_IT
dcterms.titleBetween Florence and Glamis: on Macbeth’s Machiavellian phaseit_IT
dcterms.typeJournal Articleit_IT
Appears in Collections:Sinestesieonline. A. 8, no. 25 (Gennaio 2019)

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