Utilizza questo identificativo per citare o creare un link a questo documento: http://elea.unisa.it/xmlui/handle/10556/4118
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Campo DCValoreLingua
dcterms.contributor.authorDel Gado, Juan
dcterms.contributor.authorGomis, Elsa
dc.date.accessioned2020-02-04T10:39:51Z
dc.date.available2020-02-04T10:39:51Z
dcterms.date.issued2019
dcterms.identifier.citationDel Gado, J. & Gomis, E.C. (2019). A Conversation on Cinematic Representation and Resistance in the films "Altered Landscapes" (2016) by Juan del Gado and "The People Behind the Scenes" (2019), by Elsa Claire Gomis. Journal of Mediterranean Knowledge-JMK, 4(2), 223-233. DOI: 10.26409/2019JMK4.2.14it_IT
dcterms.identifier.issn2499-930Xit_IT
dcterms.identifier.urihttp://www.mediterraneanknowledge.org/publications/index.php/journal/issue/archiveit_IT
dcterms.identifier.urihttp://elea.unisa.it:8080/xmlui/handle/10556/4118
dcterms.identifier.urihttp://dx.doi.org/10.26409/2019JMK4.2.14
dcterms.identifier.urihttp://dx.doi.org/10.14273/unisa-2327-
dc.description.abstractThis is a conversation between Juan del Gado and Elsa Gomis about their respective films. Juan del Gado has made the film Altered Landscapes (2016), which is the first part of a cinematically projected triptych entitled Drifting Narratives. Elsa Gomis has produced the film The People behind the Scenes (2019), a full-length film, which builds on interviews and memory work and address current visual representations of migration by the Mediterra-nean.it_IT
dcterms.format.extentP. 223-233it_IT
dc.language.isoenit_IT
dcterms.sourceUniSa. Sistema Bibliotecario di Ateneoit_IT
dcterms.subjectFilmit_IT
dcterms.subjectRefugeesit_IT
dcterms.subjectMediterraneanit_IT
dcterms.subjectRepresentationit_IT
dcterms.subjectMigrationit_IT
dcterms.titleA Conversation on Cinematic Representation and Resistance in the films "Altered Landscapes" (2016) by Juan del Gado and "The People Behind the Scenes" (2019), by Elsa Claire Gomisit_IT
dcterms.typeJournal Articleit_IT
È visualizzato nelle collezioni:Vol 4, No 2 (2019): Artistic Strategies of Migration: Art as a Resistance or as a Reinsurance?

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