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Campo DCValoreLingua
dc.contributor.authorOddi, Stefano
dc.date.accessioned2020-05-18T14:57:09Z
dc.date.available2020-05-18T14:57:09Z
dc.date.issued2018
dc.identifier.citationOddi, S. Il Faust ceco di Jan Švankmajer: cronache infernali di una Praga post-comunista. "europa orientalis", 37 (2018): 203-225it_IT
dc.identifier.issn0392-4580it_IT
dc.identifier.urihttp://www.europaorientalis.it/it_IT
dc.identifier.urihttp://elea.unisa.it:8080/xmlui/handle/10556/4424
dc.identifier.urihttp://dx.doi.org/10.14273/unisa-2626-
dc.description.abstractFaust (1994) is the first feature film directed by Jan Švankmajer after the dissolution of Czechoslovakia and probably the most thorough summation of his ‘realized’ Surrealism, not based on the evocation of a dreamlike, nonsensical world but marked by “an evident political significance, a direct incisiveness of the individual on collectivity” (F. Pitassio). Švankmajer's reinterpretation of Doctor Faust’s myth, set in a present-day Prague, is a one-of-a-kind melange that blends different Faustian sources (Marlowe, Goethe, Gounod and the Puppenspiel tradition) in order to convey the director’s concerns about globalized societies, primarily addressing the process of disintegration of individual identities, the disqualification of corporeality and the subjugating power of media on reality. After introducing the main themes and motifs of Švankmajer's film aesthetics, the article focuses on the analysis of several sections of Faust, in an attempt to highlight its socio-political subtext.it_IT
dc.format.extentP. 203-225it_IT
dc.language.isoitit_IT
dc.sourceUniSa. Sistema Bibliotecario di Ateneoit_IT
dc.subjectFaustit_IT
dc.subjectJan Švankmajerit_IT
dc.subjectCzech cinemait_IT
dc.subjectModern mythsit_IT
dc.subjectAdaptationit_IT
dc.subjectPuppenspielit_IT
dc.subjectCzechoslovakiait_IT
dc.subjectCzech Republicit_IT
dc.subjectChristopher Marloweit_IT
dc.subjectJohann Wolfgang Goetheit_IT
dc.subjectCharles Gounodit_IT
dc.titleIl Faust ceco di Jan Švankmajer: cronache infernali di una Praga post-comunistait_IT
dc.typeArticleit_IT
È visualizzato nelle collezioni:Europa Orientalis. XXXVII (2018)

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