Please use this identifier to cite or link to this item: http://elea.unisa.it/xmlui/handle/10556/5238
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dcterms.contributor.authorDi Leo, Sara-
dc.date.accessioned2021-04-21T10:58:33Z-
dc.date.available2021-04-21T10:58:33Z-
dcterms.date.issued2020-
dcterms.identifier.citationDi Leo, Sara, "Per un’etica della memoria. Interferenze benjaminiane in Vincenzo Consolo". Sinestesieonline, A. 9, no. 30 (Settembre 2020): 1-7it_IT
dcterms.identifier.issn2280-6849it_IT
dcterms.identifier.urihttp://sinestesieonline.it/wp-content/uploads/2020/10/settembre2020-06.pdfit_IT
dcterms.identifier.urihttp://elea.unisa.it:8080/xmlui/handle/10556/5238-
dcterms.identifier.urihttp://dx.doi.org/10.14273/unisa-3377-
dc.description.abstractVincenzo Consolo’s writing is based on the idea of memory as human heritage storage and muse for the creative process. This essay aims to cross the mnestic signature of the Sicilian author with philosopher Walter Benjamin’s theories expressed in the iconic workThe storyteller: the well-known distinction between storyteller and novelist –the first one is an authentic “experience” custodian; the second is son of a degraded society and it is incapable to preserve stories –affects Consolo as a clear ideological direction. However, the Sicilian author will develop ethically this Benjaminian concept, according to artist’s social role.it_IT
dcterms.format.extentP. 1-7it_IT
dc.language.isoitit_IT
dcterms.publisher.alternativeAvellino : Associazione culturale Internazionale Sinestesieit_IT
dcterms.sourceUniSa. Sistema Bibliotecario di Ateneoit_IT
dcterms.subjectVincenzo Consoloit_IT
dcterms.subjectWalter Benjaminit_IT
dcterms.subjectMemoriait_IT
dcterms.subjectEticait_IT
dcterms.subjectEtichsit_IT
dcterms.titlePer un’etica della memoria. Interferenze benjaminiane in Vincenzo Consoloit_IT
dcterms.typeJournal Articleit_IT
Appears in Collections:Sinestesieonline. A. 9, no. 30 (Settembre 2020)

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