Please use this identifier to cite or link to this item:
http://elea.unisa.it/xmlui/handle/10556/5918Full metadata record
| DC Field | Value | Language |
|---|---|---|
| dc.date.accessioned | 2022-02-22T14:01:39Z | - |
| dc.date.available | 2022-02-22T14:01:39Z | - |
| dc.description.abstract | Christine de Pizan’s Autres Balades testify to situations and problems in medieval France as well as to personal themes. Ballad VI of the collection, entitled Helas! Où donc trouveront reconfort presents the theme of widowhood and the difficulties of the status shared by many women in the 14th century. | it_IT |
| dc.language.iso | it | it_IT |
| dc.identifier.citation | Tornatore, Lidia. “La ballata ‘Helas! Où donc trouveront reconfort’ di Christine de Pizan: la voce di una donna per le donne.” Sinestesie, XXII(2021): 15-58 | it_IT |
| dc.title | La ballata ‘Helas! Où donc trouveront reconfort’ di Christine de Pizan: la voce di una donna per le donne | it_IT |
| dc.source | UniSa. Sistema Bibliotecario di Ateneo | it_IT |
| dc.contributor.author | Tornatore, Lidia | - |
| dc.date.issued | 2021 | - |
| dc.identifier.uri | http://elea.unisa.it:8080/xmlui/handle/10556/5918 | - |
| dc.identifier.uri | http://dx.doi.org/10.14273/unisa-4013 | - |
| dc.identifier.uri | https://www.sinestesierivistadistudi.it/percorsi-della-memoria/ | it_IT |
| dc.type | Journal Article | it_IT |
| dc.format.extent | p. 45-58 | it_IT |
| dc.identifier.issn | 1721-3509 | it_IT |
| dc.subject | Autres Balades | it_IT |
| dc.subject | Critical edition | it_IT |
| dc.subject | Medieval French literature | it_IT |
| dc.subject | Roman philology | it_IT |
| dc.publisher.alternative | Avellino : Associazione culturale Internazionale Sinestesie | it_IT |
| Appears in Collections: | Sinestesie. 2021. XXII. Percorsi della memoria | |
Files in This Item:
| File | Description | Size | Format | |
|---|---|---|---|---|
| Sinestesie, XXII(2021), 45-58.pdf | Sinestesie, XXII(2021): 45-58 | 1.16 MB | Adobe PDF | View/Open |
Items in DSpace are protected by copyright, with all rights reserved, unless otherwise indicated.