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http://elea.unisa.it/xmlui/handle/10556/7016Record completo di tutti i metadati
| Campo DC | Valore | Lingua |
|---|---|---|
| dcterms.contributor.author | Alonso Feito, José Manuel | - |
| dc.date.accessioned | 2024-06-12T13:16:45Z | - |
| dc.date.available | 2024-06-12T13:16:45Z | - |
| dcterms.date.issued | 2023 | - |
| dcterms.identifier.citation | Alonso Feito J. M. (2023). La gran parodia de la radio: Juan Carlos Ortega. Cultura Latinoamericana, 37 (1), pp. 234-266, DOI: http://dx.doi.org/10.14718/CulturaLatinoam.2023.37.1.12 | it_IT |
| dcterms.identifier.issn | 2346-0326 | it_IT |
| dcterms.identifier.uri | https://editorial.ucatolica.edu.co/index.php/RevClat/article/view/5442/4732 | it_IT |
| dcterms.identifier.uri | http://elea.unisa.it/xmlui/handle/10556/7016 | - |
| dc.description.abstract | En el presente trabajo se afrontan mediante un método cualitativo, por un lado, los desafíos a los que se enfrenta actualmente el medio radiofónico ante la proliferación de productos tecnológicos que amenazan, en un cierto sentido, su supervivencia y, por otro, la aportación original de Juan Carlos Ortega, quien, partiendo de presupuestos clásicos, realiza una parodia del medio respetando su diversidad genérica, pero transformándolo a través de un humorismo basado en lo que se podría denominar absurdo cotidiano. Ortega representa un bastión creativo en la radio española por su maestría en el empleo de la misma radio como canal de la parodia y por su capacidad para fusionar tradición y vanguardia en su idea del humorismo. | it_IT |
| dc.description.abstract | This paper investigates, through a qualitative method, the challenges radio has been currently facing, due to proliferation of technological devices that somehow threaten its existence. On the other side, it also analyzes the work of Juan Carlos Ortega that, starting from classical assumptions, descends into parody, respecting its diversity and, at the same time, transforming what could be defined everyday nonsense, through humor. Ortega creatively defends Spanish radio, thanks to his ability to uses radio as a means of parody and satire and his capacity to merge tradition and avant-garde in his idea of humor. | it_IT |
| dcterms.format.extent | P. 234-266 | it_IT |
| dc.language.iso | es | it_IT |
| dc.rights | CC BY-NC-SA 4.0 | it_IT |
| dcterms.source | UniSa. Sistema Bibliotecario di Ateneo | it_IT |
| dcterms.subject | Comunicación | it_IT |
| dcterms.subject | Radio | it_IT |
| dcterms.subject | Humorismo | it_IT |
| dcterms.subject | Parodia | it_IT |
| dcterms.subject | Juan Carlos Ortega | it_IT |
| dcterms.subject | Communication | it_IT |
| dcterms.subject | Humor | it_IT |
| dcterms.subject | Parody | it_IT |
| dcterms.title | La gran parodia de la radio: Juan Carlos Ortega | it_IT |
| dcterms.type | Journal Article | it_IT |
| dc.relation.ispartofjournal | Cultura Latinoamericana. Revista de estudios interculturales | it_IT |
| dcterms.identifier.doi | http://dx.doi.org/10.14718/CulturaLatinoam.2023.37.1.12 | it_IT |
| È visualizzato nelle collezioni: | Cultura Latinoamericana. Vol. 37 Núm. 1 (enero-junio 2023) | |
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