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Utilizza questo identificativo per citare o creare un link a questo documento:
http://elea.unisa.it/xmlui/handle/10556/7577Record completo di tutti i metadati
| Campo DC | Valore | Lingua |
|---|---|---|
| dcterms.contributor.author | Pensa, Mariana | - |
| dc.date.accessioned | 2024-10-14T07:22:59Z | - |
| dc.date.available | 2024-10-14T07:22:59Z | - |
| dcterms.date.issued | 2022 | - |
| dcterms.identifier.citation | Pensa, Mariana. "Farsa, engaño y desenmascaramiento: una lectura de La santa Fulvia de Enrique Gustavino", Sinestesieonline, A. 11, no. 36 (Maggio 2022): 2-6 | it_IT |
| dcterms.identifier.issn | 2280-6849 | it_IT |
| dcterms.identifier.uri | http://sinestesieonline.it/wp-content/uploads/2022/05/maggio2022-21.pdf | it_IT |
| dcterms.identifier.uri | http://elea.unisa.it/xmlui/handle/10556/7577 | - |
| dc.description.abstract | En este trabajo realizamos un acercamiento a la obra La santa Fulvia (1928) de Enrique Gustavino. A través de nuestro análisis observaremos cómo los elementos de la farsa presentes en el texto confluyen con los del grotesco. A partir de esta confluencia, nos referiremos a la manera en que la obra socava y muestra lo que antes permanecía oculto en la sociedad burguesa de la época, poniendo de manifiesto frente al receptor situaciones que fueron consideradas tabúes. Cuando Gustavino demitifica a la burguesía y muestra abiertamente lo que sucede “detrás de las cortinas”, está destapando una parte de la sociedad que, tradicionalmente, se caracteriza por ser cerrada, y por tener sus propias reglas apartadas de las de los demás, siendo este texto uno que señala abiertamente lo oculto en esa sociedad. Son desde estas coordenadas que nuestro trabajo se organiza y adquiere sentido final. | it_IT |
| dc.description.abstract | In this article we analize the play La santa Fulvia (1928), written by the Argentinean Enrique Gustavino. Through our approach, we take into consideration how farse elements work together with grotesque elements. Through this confluence, we notice how the play shows what was kept hidden in the bourgeois society of the time. Thus, it reveals situations which were considered taboo in that particular era. When Gustavino demonstrates what is happening “behind the blinds”, he is also uncovering a part of society which traditionally is closed, and has its own rules apart from other peoples’ rules. It’s from this framework that our article is organized and acquires its final sense. | it_IT |
| dcterms.format.extent | P. 2-6 | it_IT |
| dc.language.iso | es | it_IT |
| dcterms.publisher.alternative | Avellino : Associazione culturale Internazionale Sinestesie | it_IT |
| dc.rights | CC BY 4.0 | it_IT |
| dcterms.source | UniSa. Sistema Bibliotecario di Ateneo | it_IT |
| dcterms.subject | Farsa | it_IT |
| dcterms.subject | Grotesco | it_IT |
| dcterms.subject | Máscara | it_IT |
| dcterms.subject | Sociedad | it_IT |
| dcterms.subject | Dialéctica | it_IT |
| dcterms.subject | Burguesia | it_IT |
| dcterms.subject | Farce | it_IT |
| dcterms.subject | Grotesque | it_IT |
| dcterms.subject | Mask | it_IT |
| dcterms.subject | Society | it_IT |
| dcterms.subject | Dialetics | it_IT |
| dcterms.subject | Bourgeoisie | it_IT |
| dcterms.title | Farsa, engaño y desenmascaramiento: una lectura de La santa Fulvia de Enrique Gustavino | it_IT |
| dcterms.type | Journal Article | it_IT |
| dc.relation.ispartofjournal | Sinestesieonline. Periodico quadrimestrale di letteratura e arti della modernità | it_IT |
| È visualizzato nelle collezioni: | Sinestesieonline. Anno 11, no. 36 (Maggio 2022) | |
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