Aspects traductifs du texte de théâtre: le vaudeville d’Eugène Labiche

Abstract

When asked about the main difference between the translation of a novel, a poem and a play, Antoine Vitez used to reply: “There is a huge difference […] But I do not think from a theorical point of view. It is more a difference of use. The nature of the translation is always the same for me”. The play is by its nature very different from other genres, because it has to be transferred onto the scene and to produce specific effects on the audience. As a logical consequence, translation has to consider the dramatic writing context or the respect of linguistic registers, rhythm, tone, puns and atmosphere without neglecting the adaptation to the target culture. Through the analysis of some plays by Eugène Labiche, this study aims to highlight main translation aspects related to boulevard comedy, which under a light and frivolous appearance hides a very elaborate dramatic architecture and linguistic structure.