Schillers Räuber oder das Spiel mit der Performativität

dc.contributor.author	Bühler-Dietrich, Annette
dc.date.accessioned	2019-07-11T07:46:06Z
dc.date.available	2019-07-11T07:46:06Z
dc.date.issued	2015
dc.identifier.citation	Bühler-Dietrich, Annette, “Schillers Räuber oder das Spiel mit der Performativität.” «Testi e linguaggi» 9(2015): 167-186. [Studi monografici. Dimensioni del performativo, a cura di Flora de Giovanni e Lucia Perrone Capano]	it_IT
dc.identifier.isbn	978-88-430-8039-7	it_IT
dc.identifier.issn	1974-2886	it_IT
dc.identifier.uri	http://elea.unisa.it:8080/xmlui/handle/10556/3370
dc.identifier.uri	http://dx.doi.org/10.14273/unisa-1617
dc.description.abstract	The following paper examines Schiller’s play Die Räuber/The Robbers as well as the productions of the play by Nicolas Stemann (2008) and Antú Romero Nunes (2013) with regard to the performative construction of identity and stage reality. Both contemporary directors draw on the monologicity and the performative construction of identity the play displays; their productions can be perceived as rereadings of the play in the light of current theories of performativity.	it_IT
dc.format.extent	P. 167-186	it_IT
dc.language.iso	de	it_IT
dc.publisher	Roma : Carocci	it_IT
dc.source	UniSa. Sistema Bibliotecario di Ateneo	it_IT
dc.title	Schillers Räuber oder das Spiel mit der Performativität	it_IT
dc.type	Journal Article	it_IT

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