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dc.contributor.authorGalano, Sabrina
dc.date.accessioned2019-07-11T07:56:53Z
dc.date.available2019-07-11T07:56:53Z
dc.date.issued2015
dc.identifier.citationGalano, Sabrina,“Tecniche performative nella narrativa galloromanza.” «Testi e linguaggi» 9(2015): 99-123. [Studi monografici. Dimensioni del performativo, a cura di Flora de Giovanni e Lucia Perrone Capano]it_IT
dc.identifier.isbn978-88-430-8039-7it_IT
dc.identifier.issn1974-2886it_IT
dc.identifier.urihttp://elea.unisa.it:8080/xmlui/handle/10556/3373
dc.identifier.urihttp://dx.doi.org/10.14273/unisa-1620
dc.description.abstractMedieval literature, far more than modern, is characterized by the performative. Thanks to their oral presentation and performances by jongleurs, each one different from the other, literary works tend to change, to renew themselves, according to the audience’s tastes. This paper will examine some of the most important and best known works in Old French, as well as in Occitan, in order to pick out those stylistic and thematic aspects that concur to make the medieval literary tradition performative.it_IT
dc.format.extentP. 99-123it_IT
dc.language.isoitit_IT
dc.publisherRoma : Carocciit_IT
dc.rights99-123it_IT
dc.sourceUniSa. Sistema Bibliotecario di Ateneoit_IT
dc.titleTecniche performative nella narrativa galloromanzait_IT
dc.typeJournal Articleit_IT
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