Mostra i principali dati dell'item

dc.contributor.authorBerlangieri, Maria Grazia
dc.date.accessioned2019-07-11T11:25:11Z
dc.date.available2019-07-11T11:25:11Z
dc.date.issued2018
dc.identifier.citationBerlangieri, Maria Grazia. "«Una realtà di puri echi»: simbolo e comunione in Pirandello, chi? di Amelio Memè Perlini." Sinestesieonline/Il Parlaggio. A. 7, no. 23 (30 Maggio 2018): 1-5it_IT
dc.identifier.issn2280-6849it_IT
dc.identifier.urihttp://sinestesieonline.it/wp-content/uploads/2018/06/maggio2018-17.pdfit_IT
dc.identifier.urihttp://elea.unisa.it:8080/xmlui/handle/10556/3390
dc.identifier.urihttp://dx.doi.org/10.14273/unisa-1635
dc.description.abstractThe direction of theatre of the 1970s, as Valentina Valentini writes, characterized New Theatre in Italy with its tendency to expand beyond geographic and disciplinary borders and, at the same time, with its tension towards a common core (body, gesture, movement) to «find shelter in the place of theatre like in the productions of TeatroImmagine (as defined by Bartolucci) by Mario Ricci, Memè Perlini, Giancarlo Nanni, Giuliano Vasilicò». Memè Perlini’s work on Pirandello’s play was in fact a process of permeation, in the Latin sense of per- «through» and meare «transit». Six Characters in Search of an Author by Pirandello represented a double enlightenment for him: one that could be termed public, concerning his way of understanding the stage, the other inherent to a personal and collective unhappiness that «filled his days and nights» and which he wove into the writing of Pirandello chi?, staged for the first time in 1973, as mentioned above, at Beat ’72 in Rome. Perlini transposed the fragmentary nature typical of society at that time into what he defined as fragment-images, aimed at reducing the body of the actor on stage into sections of light and darkness, in the idiosyncratic drive to «parcel, shatter theatrical objects (fear of the body) but also a clear attempt to reconstruct them (desire to represent)».it_IT
dc.format.extentP. 1-5it_IT
dc.language.isoitit_IT
dc.publisherAvellino : Associazione culturale Sinestesieit_IT
dc.sourceUniSa. Sistema Bibliotecario di Ateneoit_IT
dc.subjectMemè Perliniit_IT
dc.subjectPirandello chi?it_IT
dc.subjectBeat ’72it_IT
dc.subjectNuovo Teatroit_IT
dc.subjectTeatro-Immagineit_IT
dc.title«Una realtà di puri echi»: simbolo e comunione in Pirandello, chi? di Amelio Memè Perliniit_IT
dc.typeJournal Articleit_IT
 Find Full text

Files in questo item

Thumbnail

Questo item appare nelle seguenti collezioni

Mostra i principali dati dell'item