dc.contributor.author | Hinda, Abdeladim | |
dc.date.accessioned | 2019-07-11T14:00:05Z | |
dc.date.available | 2019-07-11T14:00:05Z | |
dc.date.issued | 2018 | |
dc.identifier.citation | Hinda, Abdeladim. "Chronotopes of delivery: grounding the cultural politics of Moroccan theatre." Sinestesieonline, A. 7, no. 24 (Ottobre 2018): 5-18 | it_IT |
dc.identifier.issn | 2280-6849 | it_IT |
dc.identifier.uri | http://sinestesieonline.it/wp-content/uploads/2018/10/ottobre2018-17.pdf | it_IT |
dc.identifier.uri | http://elea.unisa.it:8080/xmlui/handle/10556/3408 | |
dc.identifier.uri | http://dx.doi.org/10.14273/unisa-1651 | |
dc.description.abstract | The article seeks to highlight the chronotopes of delivery in modern Moroccan theatre
and show how and when the act of grounding its cultural politics took place. It unmasks
Lyautey’s dynamics of colonial modernity and highlights the historical role of Theatre
of Resistance which used colonial levers as resistance weapons to subvert and
destabilize the position of the colonizer, disperse his very identity and authority and
displace western hegemony. In short, the article sheds luster on the traces of modernity
in post-colonial Moroccan theatre and how these traces came to be frowned upon
following the post-colonial turn. | it_IT |
dc.format.extent | P. 5-18 | it_IT |
dc.language.iso | en | it_IT |
dc.publisher | Avellino : Associazione culturale Sinestesie | it_IT |
dc.source | UniSa. Sistema Bibliotecario di Ateneo | it_IT |
dc.title | Chronotopes of delivery: grounding the cultural politics of Moroccan theatre | it_IT |
dc.type | Journal Article | it_IT |