dc.contributor.advisor | Bartuschat, Johannes | |
dc.contributor.author | Albertini, Martina | |
dc.date.accessioned | 2019-07-15T11:05:47Z | |
dc.date.available | 2019-07-15T11:05:47Z | |
dc.date.issued | 2017 | |
dc.identifier.citation | Albertini, Martina e Johannes Bartuschati, “Boccaccio in Germania tra fine Settecento e inizio Ottocento.” «Testi e linguaggi» 11(2017): 57-70. [Studi monografici. Sistemi e strategie di affermazione nella interazione A cura di Inmaculada Solís García, Juliette Delahaie e Nicoletta Gagliardi] | it_IT |
dc.identifier.isbn | 978-88-430-89-260 | it_IT |
dc.identifier.issn | 1974-2886 | it_IT |
dc.identifier.uri | http://elea.unisa.it:8080/xmlui/handle/10556/3453 | |
dc.identifier.uri | http://dx.doi.org/10.14273/unisa-1694 | |
dc.description.abstract | The article examines the rediscovery of Boccaccio over the decade 1795-1805, which lays
the groundwork for modern criticism on the Italian author. Friedrich and August Wilhelm
Schlegel, the two most influential Romantic critics, wrote fundamental and groundbreaking
essays on Boccaccio, celebrating his works, according to the principles of Romantic aesthetics,
as an accomplished expression of literary subjectivity. They reappraise the novella as a specific
narrative form, which is not only devoted to comic and licentious themes, but elaborates a
complex vision of human passions and observes the reality of contemporary society. In the
same years, Goethe introduces the novella into German literature with his Conversations of
German Refugees, a collection of novellas within a frame story, which is inspired by Boccaccio,
thus establishing the Decameron as a model for the modern novella. | it_IT |
dc.format.extent | P. 57-70 | it_IT |
dc.language.iso | it | it_IT |
dc.publisher | Roma : Carocci | it_IT |
dc.source | UniSa. Sistema Bibliotecario di Ateneo | it_IT |
dc.title | Boccaccio in Germania tra fine Settecento e inizio Ottocento | it_IT |
dc.type | Journal Article | it_IT |