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dc.contributor.authorColetti, Vittorio
dc.date.accessioned2019-07-15T11:21:16Z
dc.date.available2019-07-15T11:21:16Z
dc.date.issued2017
dc.identifier.citationColetti, Vittorio, “L’italiano della musica fuori d’Italia.” «Testi e linguaggi» 11(2017): 17-31. [Studi monografici. Sistemi e strategie di affermazione nella interazione A cura di Inmaculada Solís García, Juliette Delahaie e Nicoletta Gagliardi]it_IT
dc.identifier.isbn978-88-430-89-260it_IT
dc.identifier.issn1974-2886it_IT
dc.identifier.urihttp://elea.unisa.it:8080/xmlui/handle/10556/3457
dc.identifier.urihttp://dx.doi.org/10.14273/unisa-1698
dc.description.abstractThis essay follows the major milestone of the international success of Italian sung, from its early days in the grand opera to the 20th century in the song. This objective is accomplished by focusing not only on the language of the original texts, but also on its many adaptations in foreign languages. With this approach the paper highlights the main formal elements, of the language system (morphology, syntax, prosody) and of the culture (meter, rhymes, melody), which all played such an important role in the success of Italian in the music world. These results support a positive answer to the long-standing issue concerning the importance of the formal elements in the global success of Italian sung.it_IT
dc.format.extentP. 17-31it_IT
dc.language.isoitit_IT
dc.publisherRoma : Carocciit_IT
dc.sourceUniSa. Sistema Bibliotecario di Ateneoit_IT
dc.titleL’italiano della musica fuori d’Italiait_IT
dc.typeJournal Articleit_IT
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