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dc.contributor.authorKrantz, Brittany Nicole
dc.date.accessioned2019-07-23T10:48:42Z
dc.date.available2019-07-23T10:48:42Z
dc.date.issued2016
dc.identifier.citationKrantz, Brittany N. "Modern-Day Siren‘s Song." Sinestesieonline. A. 5, no. 18 (Dicembre 2016): 1-13it_IT
dc.identifier.issn2280-6849it_IT
dc.identifier.urihttp://sinestesieonline.it/wp-content/uploads/2018/03/dicembre2016-19.pdfit_IT
dc.identifier.urihttp://elea.unisa.it:8080/xmlui/handle/10556/3662
dc.identifier.urihttp://dx.doi.org/10.14273/unisa-1892
dc.description.abstractThis short story is written considering some possibile, real declinations of the performing arts. An ambitious young woman named Jessie assumes the concurrent, yet seemingly-contradictory identities of academic intellectual by day and exotic dancer by night, driven by her struggles with the Madonna-Whore Complex and the assumptions that working in the field of sexual entertainment will quell her insecurities, and make her more desirable by increasing her sex appeal. Jessie‘s role as a racy entertainer boldly displays her sex appeal, but masks her potential as a desirable wife, subsequently creating an allusion to the Sirens of epic literature.it_IT
dc.format.extentP. 1-13it_IT
dc.language.isoenit_IT
dc.publisherAvellino : Associazione culturale Internazionale Sinestesieit_IT
dc.sourceUniSa. Sistema Bibliotecario di Ateneoit_IT
dc.subjectPerforming artsit_IT
dc.subjectEntertainmentit_IT
dc.subjectMadonnait_IT
dc.subjectWhore complexit_IT
dc.subjectSirenit_IT
dc.titleModern-Day Siren‘s Songit_IT
dc.typeJournal Articleit_IT
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