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dcterms.contributor.authorNaar Gada, Nadia
dc.date.accessioned2019-07-26T11:31:33Z
dc.date.available2019-07-26T11:31:33Z
dcterms.date.issued2017
dcterms.identifier.citationNaar Gada,Nadia. "The African Worldview in Kateb Yacine’s Le cadavre encerclé (1954) and Les ancêtres redoublent de férocité (1959)." Sinestesieonline. A. 6, no. 21 (Ottobre 2017): 1-16it_IT
dcterms.identifier.issn2280-6849it_IT
dcterms.identifier.urihttp://sinestesieonline.it/wp-content/uploads/2018/03/ottobre2017-13.pdfit_IT
dcterms.identifier.urihttp://elea.unisa.it:8080/xmlui/handle/10556/3698
dcterms.identifier.urihttp://dx.doi.org/10.14273/unisa-1928
dc.description.abstractThis paper revisits Kateb Yacine’s Le cadavre encerclé (The Encercled Cadaver, 1954) and Les ancêtres redoublent de férocité (The Ancestors, 1959) by suggesting a new direction for a reading, which helps to explain many invisible areas in the two plays. This postcolonial approach may perforce the reverse of the reviews that stress the author’s borrowing and imitation of the Western theatrical models. It is a reading, which is based on the theoretical scheme, which was suggested by Wole Soyinka in his book entitled Myth, Literature and the African World (1976).it_IT
dcterms.format.extentP. 1-16it_IT
dc.language.isoenit_IT
dcterms.publisher.alternativeAvellino : Associazione culturale Internazionale Sinestesieit_IT
dcterms.sourceUniSa. Sistema Bibliotecario di Ateneoit_IT
dcterms.subjectTransitional figureit_IT
dcterms.subjectCommunion with ancestorsit_IT
dcterms.subjectPast myths and ritualsit_IT
dcterms.titleThe African Worldview in Kateb Yacine’s Le cadavre encerclé (1954) and Les ancêtres redoublent de férocité (1959)it_IT
dcterms.typeJournal Articleit_IT
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