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dc.contributor.authorNaar Gada, Nadia
dc.date.accessioned2019-07-26T11:31:33Z
dc.date.available2019-07-26T11:31:33Z
dc.date.issued2017
dc.identifier.citationNaar Gada,Nadia. "The African Worldview in Kateb Yacine’s Le cadavre encerclé (1954) and Les ancêtres redoublent de férocité (1959)." Sinestesieonline. A. 6, no. 21 (Ottobre 2017): 1-16it_IT
dc.identifier.issn2280-6849it_IT
dc.identifier.urihttp://sinestesieonline.it/wp-content/uploads/2018/03/ottobre2017-13.pdfit_IT
dc.identifier.urihttp://elea.unisa.it:8080/xmlui/handle/10556/3698
dc.identifier.urihttp://dx.doi.org/10.14273/unisa-1928
dc.description.abstractThis paper revisits Kateb Yacine’s Le cadavre encerclé (The Encercled Cadaver, 1954) and Les ancêtres redoublent de férocité (The Ancestors, 1959) by suggesting a new direction for a reading, which helps to explain many invisible areas in the two plays. This postcolonial approach may perforce the reverse of the reviews that stress the author’s borrowing and imitation of the Western theatrical models. It is a reading, which is based on the theoretical scheme, which was suggested by Wole Soyinka in his book entitled Myth, Literature and the African World (1976).it_IT
dc.format.extentP. 1-16it_IT
dc.language.isoenit_IT
dc.publisherAvellino : Associazione culturale Internazionale Sinestesieit_IT
dc.sourceUniSa. Sistema Bibliotecario di Ateneoit_IT
dc.subjectTransitional figureit_IT
dc.subjectCommunion with ancestorsit_IT
dc.subjectPast myths and ritualsit_IT
dc.titleThe African Worldview in Kateb Yacine’s Le cadavre encerclé (1954) and Les ancêtres redoublent de férocité (1959)it_IT
dc.typeJournal Articleit_IT
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