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dc.contributor.authorRandi, Elena
dc.date.accessioned2020-01-08T09:54:20Z
dc.date.available2020-01-08T09:54:20Z
dc.date.issued2019
dc.identifier.citationRandi, Elena, "Fondamenti del pensiero delsartiano: fra memoria e poetica teatrale." Sinestesieonline, A. 8, no. 26 (Maggio 2019) : 30-34it_IT
dc.identifier.issn2280-6849it_IT
dc.identifier.urihttp://sinestesieonline.it/wp-content/uploads/2019/06/maggio2019-15.pdfit_IT
dc.identifier.urihttp://elea.unisa.it:8080/xmlui/handle/10556/4047
dc.identifier.urihttp://dx.doi.org/10.14273/unisa-2264
dc.description.abstractThe word memory in the Delsartean writings can refer to two different phenomena. On the one hand, there is the individual memory, a sort of archive that man builds during his existence and that allows him to connect several data. On the other hand, the existence of a much higher Memory is assumed, whose nature is ancestral and celestial, and which is similar to the one conceived by Plato. Once we gain access to it, we are projected into a state of Grace which allows us, for a very happy and bright moment, to reach Truth. Both tools are essential, in Delsartian pedagogy, for the actor’s work.it_IT
dc.format.extentP. 30-34it_IT
dc.language.isoitit_IT
dc.publisherAvellino : Associazione culturale Internazionale Sinestesieit_IT
dc.sourceUniSa. Sistema Bibliotecario di Ateneoit_IT
dc.subjectFrançois Delsarteit_IT
dc.subjectMemoriait_IT
dc.subjectPoetica teatraleit_IT
dc.subjectMemoryit_IT
dc.subjectTheatrical Poetryit_IT
dc.titleFondamenti del pensiero delsartiano: fra memoria e poetica teatraleit_IT
dc.typeJournal Articleit_IT
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