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La performance du corps ou le corps de la performance dans ‘Seuls’ de Wajdi Mouawad
| dcterms.contributor.author | Hussein, Mai | |
| dc.date.accessioned | 2020-11-25T09:42:57Z | |
| dc.date.available | 2020-11-25T09:42:57Z | |
| dcterms.date.issued | 2020 | |
| dcterms.identifier.citation | Hussein, Mai, "La performance du corps ou le corps de la performance dans ‘Seuls’ de Wajdi Mouawad". Sinestesieonline, A. 9, no. 30 (Settembre 2020): 1-18 | it_IT |
| dcterms.identifier.uri | http://sinestesieonline.it/wp-content/uploads/2020/10/settembre2020-21.pdf | it_IT |
| dcterms.identifier.uri | http://elea.unisa.it:8080/xmlui/handle/10556/4868 | |
| dcterms.identifier.uri | http://dx.doi.org/10.14273/unisa-3046 | |
| dc.description.abstract | At the crossroad of themes and cultures, Wajdi Mouawad’s writing reflects a rhizomatic array of artistic genres and the most contemporary techniques of performance. Among the writing of this playwright, Seuls constitutes a «crossroad» in which intersects different forms of writing and staging techniques that create bridges between the textual and the performative where the performative body has new roles. | it_IT |
| dcterms.format.extent | P. 1-18 | it_IT |
| dc.language.iso | fr | it_IT |
| dcterms.publisher.alternative | Avellino : Associazione culturale Internazionale Sinestesie | it_IT |
| dcterms.source | UniSa. Sistema Bibliotecario di Ateneo | it_IT |
| dcterms.subject | Theatre | it_IT |
| dcterms.subject | Performance | it_IT |
| dcterms.subject | Intermediality | it_IT |
| dcterms.subject | Postdramatic | it_IT |
| dcterms.title | La performance du corps ou le corps de la performance dans ‘Seuls’ de Wajdi Mouawad | it_IT |
| dcterms.type | Journal Article | it_IT |