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dcterms.contributor.authorShokri, Homa
dc.date.accessioned2024-09-16T09:33:13Z
dc.date.available2024-09-16T09:33:13Z
dcterms.date.issued2022-01
dcterms.identifier.citationHoma Shroki. "The recreation of the concept of communal self-consciousness based on Wagner’s music-drama." Sinestesieonline. Anno 11, no. 34 (Gennaio 2022): 1-28it_IT
dcterms.identifier.urihttps://sinestesieonline.it/wp-content/uploads/2022/02/gennaio2022-11.pdfit_IT
dcterms.identifier.urihttp://elea.unisa.it/xmlui/handle/10556/7333
dc.description.abstractFrom ancient times until today, enhancing consciousness in the public has been one of the most fundamental goals in tragedies. Throughout history, artists have tried to make ways through tragedy to be able to represent their viewpoints concerning art and politics. In the nineteenth century, Richard Wagner, years after the extinction of the Greek tragedy, found out that the path of enhancing self-consciousness in society lies only through tragedy. The creation a new location (Bayreuth) along with a complex of arts (Total artwork – Gesamtkunstwerk), had made a specific situation for the German public in the nineteenth century to be able to have mental and physical interaction. Wagner’s success in these goals in the public is an important matter which will be studied in this research, concerning the socio-political and cultural conditions in nineteenth century Germany.it_IT
dc.language.isoenit_IT
dcterms.sourceUniSa. Sistema Bibliotecario di Ateneoit_IT
dcterms.subjectWagnerit_IT
dcterms.subjectRomanticismit_IT
dcterms.subjectSchellingit_IT
dcterms.subjectTotal artworkit_IT
dcterms.subjectThe ring of Nibelungit_IT
dcterms.subjectOperait_IT
dcterms.subjectSelf-consciousnessit_IT
dcterms.subjectHegelit_IT
dcterms.titleThe recreation of the concept of communal self-consciousness based on Wagner’s music-dramait_IT
dcterms.typeArticleit_IT
dc.relation.ispartofjournalSinestesieonlineit_IT
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