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dc.contributor.authorHazra, Kaushiky
dc.date.accessioned2024-10-10T10:09:54Z
dc.date.available2024-10-10T10:09:54Z
dc.date.issued2023
dc.identifier.citationHazra, Kaushiky. Contextualizing Rāmavijaya Within and Beyond the Tradition of Indian Dramaturgy, as Prescribed by the Nāṭyaśāstra, Sinestesieonline, A. 12, no. 38 (Gennaio 2023): 2-7it_IT
dc.identifier.issn2280-6849it_IT
dc.identifier.urihttps://sinestesieonline.it/wp-content/uploads/2023/01/SINESTESIEONLINE_Il-parlaggio_Hazra.pdfit_IT
dc.identifier.urihttp://elea.unisa.it/xmlui/handle/10556/7528
dc.description.abstractThe Indian performative space is a diverse and varied one. Historically and culturally, there have coexisted various forms of performances, be it the Sanskrit classical plays or the traditional performances emerging from the local or the community. Central to the aesthetics of Indian theatre and performance laid the 2000- year-old Nāṭyaśāstra, often compared to Aristotle’s Poetics. This paper will examine one such traditional performance, Rāmavijaya, belonging to the tradition of Ankiyabhaonas in medieval Assam and will locate it within the context of the Nāṭyaśāstra, the canonical guidebook to Indian dramaturgy.it_IT
dc.format.extentP. 2-7it_IT
dc.language.isoenit_IT
dc.publisherAvellino : Associazione culturale Internazionale Sinestesieit_IT
dc.rightsCC BY 4.0it_IT
dc.sourceUniSa. Sistema Bibliotecario di Ateneoit_IT
dc.subjectIndian Performanceit_IT
dc.subjectNāṭyaśāstrait_IT
dc.subjectRāmavijayait_IT
dc.subjectAnkiyabhaonait_IT
dc.titleContextualizing Rāmavijaya Within and Beyond the Tradition of Indian Dramaturgy, as Prescribed by the Nāṭyaśāstrait_IT
dc.typeJournal Articleit_IT
dc.relation.ispartofjournalSinestesieonline. Periodico quadrimestrale di letteratura e arti della modernitàit_IT
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