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dc.contributor.authorVaz, Pedro
dc.date.accessioned2024-10-16T08:08:23Z
dc.date.available2024-10-16T08:08:23Z
dc.date.issued2024
dc.identifier.citationVaz, Pedro. On memory beyond the facts: The fictional as an aesthetic resource in ‘Stalker’ and ‘Act of Killing’, Sinestesieonline, A. 13, no. 41 (Gennaio 2024): 2-13it_IT
dc.identifier.issn2280-6849it_IT
dc.identifier.urihttp://sinestesieonline.it/wp-content/uploads/2024/01/SINESTESIEONLINE_Il-Parlaggio_Vaz.pdfit_IT
dc.identifier.urihttp://elea.unisa.it/xmlui/handle/10556/7630
dc.description.abstractThis study explores the interconnectedness of memory studies and fiction as an aesthetic resource, forming a significant area within artistic studies. The analysis focuses on the anthropological representation of memory in two films: Tarkovsky’s Stalker, situated within the Soviet realism movement depicting the post-World War II social, political, and economic crisis of the Soviet Union, and Joshua Oppenheimer’s Act of Killing, a 2012 meta-documentary portraying a contemporary geopolitical context concerning individuals engaged in the military occupation initiated in Indonesia in 1959. The examination reveals the pervasive role of fiction as an effective aesthetic resource in representing historical contexts. Both films, Stalker and Act of Killing, emphasize the necessity of conveying a nuanced perception of memory to the audience. Furthermore, within the cinematic language of memory work, fiction emerges as an indispensable testimony to the director’s creative efforts, serving as an intermediary force that transcends specific spatiotemporal contexts and broadens awareness of geopolitical phenomena beyond their representative and factual confines.it_IT
dc.format.extentP. 2-13it_IT
dc.language.isoenit_IT
dc.publisherAvellino : Associazione culturale Internazionale Sinestesieit_IT
dc.rightsCC BY 4.0it_IT
dc.sourceUniSa. Sistema Bibliotecario di Ateneoit_IT
dc.subjectTraumait_IT
dc.subjectCinemait_IT
dc.subjectMemoryit_IT
dc.subjectDocumentaryit_IT
dc.titleOn memory beyond the facts: The fictional as an aesthetic resource in ‘Stalker’ and ‘Act of Killing’it_IT
dc.typeJournal Articleit_IT
dc.relation.ispartofjournalSinestesieonline. Periodico quadrimestrale di letteratura e arti della modernitàit_IT
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