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dc.contributor.authorInnamorati, Isabella
dc.date.accessioned2020-01-08T10:47:21Z
dc.date.available2020-01-08T10:47:21Z
dc.date.issued2019
dc.identifier.citationInnamorati, Isabella, "Travestimenti autobiografici scarpettiani: metodologie di verifica." Sinestesieonline, A. 8, no. 26 (Maggio 2019) : 9-14it_IT
dc.identifier.issn2280-6849it_IT
dc.identifier.urihttp://sinestesieonline.it/wp-content/uploads/2019/06/maggio2019-12.pdfit_IT
dc.identifier.urihttp://elea.unisa.it:8080/xmlui/handle/10556/4050
dc.identifier.urihttp://dx.doi.org/10.14273/unisa-2267
dc.description.abstractThis essay critically examines the autobiography of Eduardo Scarpetta, problematizing the idea of the author’s memoir as an authentic confession. Analysing several declarations written by Scarpetta, the study shows how they do not constitute an accurate representation of reality. The main topics addressed in this paper are: the way Scarpetta claims his role as a playwright; the relationship with his son Vincenzo, who he designed as an heir to his theatre legacy; the conflict between Scarpetta’s working method as a dramatist and the first copyright issues which were emerging in Italy during the last years of his acting career.it_IT
dc.format.extentP. 9-14it_IT
dc.language.isoitit_IT
dc.publisherAvellino : Associazione culturale Internazionale Sinestesieit_IT
dc.sourceUniSa. Sistema Bibliotecario di Ateneoit_IT
dc.subjectTeatroit_IT
dc.subjectNapoliit_IT
dc.subjectAutobiografiait_IT
dc.subjectTheatreit_IT
dc.subjectNeaplesit_IT
dc.subjectAutobiographyit_IT
dc.titleTravestimenti autobiografici scarpettiani: metodologie di verificait_IT
dc.typeJournal Articleit_IT
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