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dc.contributor.authorOddi, Stefano
dc.date.accessioned2020-01-08T14:27:26Z
dc.date.available2020-01-08T14:27:26Z
dc.date.issued2019
dc.identifier.citationOddi, Stefano, "L’Apocalisse, lo sguardo e la morte: da la Jetée di Chris Marker a Twelve Monkeys di Terry Gilliam." Sinestesieonline, A. 8, no. 26 (Maggio 2019) : 56-64it_IT
dc.identifier.issn2280-6849it_IT
dc.identifier.urihttp://sinestesieonline.it/wp-content/uploads/2019/06/maggio2019-07.pdfit_IT
dc.identifier.urihttp://elea.unisa.it:8080/xmlui/handle/10556/4054
dc.identifier.urihttp://dx.doi.org/10.14273/unisa-2271
dc.description.abstractIn Twelve Monkeys, a 1995 post-apocalyptic feature, Terry Gilliam credits as his main source of inspiration Chris Marker’s La Jetée (1961), an experimental short movie whose story is told through a series of still images, defined by Marker as a photo-roman. This article analyzes the complex relation existing between the two movies, focusing on the different ways Marker and Gilliam approach themes like time, future, death and cinema.it_IT
dc.format.extentP. 56-64it_IT
dc.language.isoitit_IT
dc.publisherAvellino : Associazione culturale Internazionale Sinestesieit_IT
dc.sourceUniSa. Sistema Bibliotecario di Ateneoit_IT
dc.subjectChris Markerit_IT
dc.subjectTerry Gilliamit_IT
dc.subjectDistopiait_IT
dc.subjectFantascienzait_IT
dc.subjectAdattamentoit_IT
dc.subjectDystopiait_IT
dc.subjectScience Fictionit_IT
dc.subjectAdaptationit_IT
dc.titleL’Apocalisse, lo sguardo e la morte: da la Jetée di Chris Marker a Twelve Monkeys di Terry Gilliamit_IT
dc.typeJournal Articleit_IT
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