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Il tragico quotidiano. La “revanche du mythe” nel teatro francese tra le due guerre
(2021)
From the 1920s to the end of the Second World War, in Europe but especially in France, scholars, playwrights and directors increasingly paid attention to classical theatre, to the Tragic. Cocteau, Giraudoux, Gide, Anouilh, ...
Catastrofe: l’albero, la luna e i pantaloni
(2021)
Perhaps the most striking thing about En attendant Godot is its alleged maturity. But it is a
misleading impression, since the text now available, and obviously the “revised text”, was established only after a ...
Diffrazioni beckettiane: il plesso teatro-schermico di Atom Egoyan
(2021)
Although primarily known for his work as a filmmaker, Atom Egoyan has staged several
theatre plays. In his career, theatre and the screen appear to be intertwined into a practice
strongly influenced ...
Interrogare il visibile in Phaedra’s Love: la sperimentazione di Sarah Kane tra drammaturgia e regia
(2021)
This paper analyzes the theatre aesthetics of Sarah Kane, considerable dramatist of the theatre new wave known as In-yer-face theatre, moving from playwriting and staging of her second drama, Phaedra’s ...
Moroccan Youth’ Impact on Decision Making Process Youth Specificities
(2021)
The political engagement of Moroccan youth has always been the focus of research as this age category plays a vital role in the development of the political life. In this study, the focus is to address youth cultural ...
«Non expectemus certe Turcum invadentem Italiam». Il mito della crociata nell’oratoria del Quattrocento
(2021)
The essay examines the value and diffusion of
the crusade’s myth, in its political and ideological implications within the sacred and profane oratory of the 15th century. In particular, the essay analyses ...