Sinestesieonline. A. 7, no. 24 (Ottobre 2018)http://elea.unisa.it/xmlui/handle/10556/31552026-04-20T12:22:06Z2026-04-20T12:22:06Z«In questo mezzo sonno»: temi e immagini nell’opera di Vittorio SereniDi Martino, Virginiahttp://elea.unisa.it/xmlui/handle/10556/39442025-04-30T15:12:14Z2018-01-01T00:00:00Z«In questo mezzo sonno»: temi e immagini nell’opera di Vittorio Sereni
Di Martino, Virginia
The present study offers an overview of recurring themes and images in the work of
Vittorio Sereni. Through the various poetic collections, he tries to dialogue with the past
and with the present, to experiment without betraying his own voice, talking about the
history of his century and his personal history. Next to writing in verse there is the
prose, which incorporates both private and civil themes, and critical writing, linked to
the publishing activity of Mondadori: here Sereni tries to renew the cultural panorama of
the late twentieth century.
2018-01-01T00:00:00ZPoeta, romanziere e storico, Emilio Esposito, uno scrittore del sudGranese, Albertohttp://elea.unisa.it/xmlui/handle/10556/39432025-04-30T15:11:25Z2018-01-01T00:00:00ZPoeta, romanziere e storico, Emilio Esposito, uno scrittore del sud
Granese, Alberto
2018-01-01T00:00:00Z“Raccourcis”: strategie lessicali e forestierismi in Partiranno di Luce D’EramoCantoni, Paolahttp://elea.unisa.it/xmlui/handle/10556/39422025-04-30T15:11:23Z2018-01-01T00:00:00Z“Raccourcis”: strategie lessicali e forestierismi in Partiranno di Luce D’Eramo
Cantoni, Paola
Partiranno is a singular novel within the unique literary biography of Luce d’Eramo. It is
her most beloved novel, a science fiction, but also a police thriller and a spy story. The
writer mixes differtent literary genres, various textual typologies and many documentary
materials, different perspectives and narrative voices, with a skilful seaming operation.
The plot is constantly hovering between reality and fantasy; its lyrical dimension makes
it a psychological novel, whose central core is the discovery of alterity, outside and
inside the human being. The lexicon has a decisive role. The paper examines the lexical
strategies adopted by Luce d’Eramo in the novel: a lexical structure of medium tone,
with soughts words within the common terms, many technicalities, neologisms (also
semantic or morpho-syntactic neologisms) and forestierisms, in particular from French
but also from English and German. The lexicon is transformed into poetic images.
2018-01-01T00:00:00ZVecchie signore nella scrittura di Natalia GinzburgCoppin, Chiarahttp://elea.unisa.it/xmlui/handle/10556/39412025-04-30T15:12:34Z2018-01-01T00:00:00ZVecchie signore nella scrittura di Natalia Ginzburg
Coppin, Chiara
Il saggio analizza le modalità di rappresentazione della vecchiaia femminile nella
scrittura di Natalia Ginzburg. Partendo da alcune considerazioni sul tema dell’anzianità
e sul modo in cui le donne affrontano il processo di invecchiamento, lo studio si
sofferma su diverse figure di anziane che, all’interno della produzione narrativa e
saggistica dell’autrice, offrono interessanti spunti di riflessione sulle relazioni tra le
generazioni nonché sui mutamenti sociali e culturali che hanno interessato l’Italia del
secondo dopoguerra.
2018-01-01T00:00:00Z