http://elea.unisa.it/xmlui/handle/10556/3335 2026-04-20T10:55:20Z http://elea.unisa.it/xmlui/handle/10556/3379 Il perfomativo: alcune questioni preliminari De Giovanni, Flora; Perrone Capano, Lucia 2015-01-01T00:00:00Z http://elea.unisa.it/xmlui/handle/10556/3378 Il senso compiuto delle parole: esempi di grammelot Voghera, Miriam Multimodality is the natural condition of human communication, thanks to which the human beings build social meaningful messages. The use of a unique channel and code seems to be an exception rather than the norm in human communication. Grammelot is an extreme manifestation of the ability to use different channels and codes to transmit a meaning which actualizes only in performance. The essay presents a communicative analysis of three examples of grammelot performed by different authors/performers: Hynkel’s speech at the military meeting in the movie The Great Dictator by Charlie Chaplin and two theatrical performances, La fame dello Zanni in Mistero Buffo by Dario Fo and the Neapolitan grammelot in A me gli occhi, please by Gigi Proietti. We propose here an analysis which considers the different elements naturally composing the puzzle of communication (verbal production, gestures, body movements, face expressions and situational context). The different authors combine them to produce the impression of a real language through invented sounds, words and expressions in very different ways. The result is a sort of identikit of the three performances, which reveals a very sophisticated use of communicative devices, depending on the linguistic and sociolinguistic features the authors associate to grammelot. 2015-01-01T00:00:00Z http://elea.unisa.it/xmlui/handle/10556/3377 Goffman e l’antropologia applicata. Riflessioni su un progetto di ricerca-azione in un quartiere della diaspora etiope ed eritrea Grimaldi, Giuseppe The essay describes a direct experience of research-action in the context of Milano Porta Venezia, a local space of the global Ethiopian and Eritrean diaspora. I propose a reflection on the potentialities and the limits of Goffman’s performative model as a way to build a shared framework among social actors belonging to contrastive identity models. The purpose of this paper is to highlight the need for a toolbox suitable to meet the challenges of anthropology applied to the public space. 2015-01-01T00:00:00Z http://elea.unisa.it/xmlui/handle/10556/3376 Della performatività Come il cognitive turn ha cambiato la prospettiva degli studi letterari Tomasello, Dario The yearning for performance does not lie so much in Austin’s speech acts, but rather in the performative peculiarity of our neurobiological perception. In this scenario, considering the dialogue between cognitive scientists and literary scholars, it can be assumed that narrativity could performatively represent a mediation between the simulation and the “theory of mind”. The narrativization of behaviour, backed by an explicit reference to the embodied mind and, implicitly, to Goffman’s, Schechner’s and Turner’s studies on the performance, determines increasingly pervasive attention to the ability to configure a plot, even in a phylogenetic perspective. 2015-01-01T00:00:00Z