http://elea.unisa.it/xmlui/handle/10556/8752 Culture et écologie : terrains, pratiques et acteurs / Culture and ecology: fields, practices and actors Mon, 20 Apr 2026 09:39:59 GMT 2026-04-20T09:39:59Z http://elea.unisa.it/xmlui/handle/10556/8762 Art et culture à l'ère de l'Anthropocène : redéfinir les frontières Chenevez, Alain; Novello Paglianti, Nanta This contribution examines the circulation of ideas and the exchange of experience that takes place in the fields of artistic production and cultural dissemination. Art and its possible variations not only raise awareness of ecological causes, but also educate and even involve us in changing our consumption and lifestyle habits. These transformations are possible thanks to the convocation of imagination and discourse centered on eco-events designed to welcome the public through concrete and symbolic means. Mon, 01 Jan 2024 00:00:00 GMT http://elea.unisa.it/xmlui/handle/10556/8762 2024-01-01T00:00:00Z http://elea.unisa.it/xmlui/handle/10556/8761 La filière cinématographique française face aux enjeux écologiques George-Molland, Anne-Laure; Allemand, Clémence This article examines how stakeholders in the French film industry are addressing ecological issues within public policies, organizations, and professional practices, and how the greening of the film industry is taking shape. The first part offers a study of the political and economic context in which the ecological question arises. The second part is devoted to analyzing the actions of pioneers in the greening of cinema, both in terms of production and movie theaters. The third part shows how these specific cases have served as a guide for developing a cultural policy for the ecological transition of the industry, and questions the limits and prospects posed by the actions undertaken. Mon, 01 Jan 2024 00:00:00 GMT http://elea.unisa.it/xmlui/handle/10556/8761 2024-01-01T00:00:00Z http://elea.unisa.it/xmlui/handle/10556/8760 Les résidences artistiques face aux enjeux d'une éthique environnementale Desmet, Nathalie As an immersive and situated device, artistic residencies seem to provide a conducive framework for developing environmental awareness. Some programs that have integrated principles of environmental aesthetics have taken a pragmatic turn, allowing them to play a catalytic role in addressing complex socio-ecological issues. The article aims to illustrate this trend through various residency programs in Europe, highlighting how these initiatives can renew attention to ecological causes and propose models for addressing sustainability chal-lenges in an ethical approach. While most residencies aim to change the perception of envi-ronmental issues and promote a new ecological consciousness, three main trends emerge: encouraging a sensitive diagnosis of environmental issues, creating transformative experi-ences questioning relationships with the living and nature, and developing action norms linked to eco-social well-being considered an ethical principle, a necessary prerequisite for ecological transition. Mon, 01 Jan 2024 00:00:00 GMT http://elea.unisa.it/xmlui/handle/10556/8760 2024-01-01T00:00:00Z http://elea.unisa.it/xmlui/handle/10556/8759 L'architecture graphique en tiers lieu, une réaffirmation de la création sensible face aux risques de déshumanisation du numérique Bardoux, Jean-Marie The Robert dictionary defines in 2023 the third place as «A social space for citizens’ initiatives, where a community can meet, meet, exchange and share resources, skills and knowledge. Third places create new economic and social dynamics». In relation to this definition rooted rather in sociology, questioning the specificities of a graphic design in the architecture of third place opens a problem related to the reaffirmation of sensitive creations in the face of the risks of dehumanization of digital means. The graphic architecture of third places, by giving itself as representation, differs from the execution of a project by means only digital depriving of any creative adventures really shared. Confronting worlds that seem to ignore each other in their own representations between, on the one hand, the Université foraine de Rennes and, on the other, the digital model BIM (Building Information Modeling) helps to reveal the tensions between democratic aspirations and a social, industrial division of labour. The architectures of third places, by becoming graphic even the architectural volume, develop a visual rhetoric at the antipodes of that of the digital industry which dispossess others of its knowledge and whose enunciation marks are rendered invisible. Mon, 01 Jan 2024 00:00:00 GMT http://elea.unisa.it/xmlui/handle/10556/8759 2024-01-01T00:00:00Z