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dc.contributor.authorPagani, Ileana
dc.date.accessioned2014-02-21T09:34:01Z
dc.date.available2014-02-21T09:34:01Z
dc.date.issued2013
dc.identifier.citationPagani, Ileana. “Tra narrazione biblica e performatività liturgica: il Planctus virginum Israel super filia Iepte Galadite di Abelardo.” «Testi e linguaggi» 7(2013): 23-62. [Studi monografici. Letteratura in performance, a cura di A. D’Amelia e A. Piazza]en_US
dc.identifier.issn1974-2886en_US
dc.identifier.urihttp://hdl.handle.net/10556/1127
dc.identifier.urihttp://dx.doi.org/10.14273/unisa-17
dc.description.abstractThe Planctus virginum Israel super filia Iepte Galadite is the best known of six poems for music unanimously attributed to Abelard, generally known as the planctus. Reconsideration of some significant moments in the patristic and medieval Latin tradition of reworking and commentary of the biblical episode which is the subject of the planctus (Judges 10-12), reveals Abelard’s peculiar approach as a reflection of his view of feminine sanctity. Moreover, analysis of the planctus highlights the complexity of its structure: the story, framed by the mimesis of a commemorative liturgical celebration, unfolds partly in narrative, partly in dialogical form, constantly stressing its visual and dramatic dimension.
dc.format.extentP. 23-62en_US
dc.language.isoiten_US
dc.publisherRoma : Carocci
dc.sourceUniSa. Sistema Bibliotecario di Ateneoen_US
dc.subjectAbelard
dc.subjectMiddle Ages
dc.subjectBible
dc.titleTra narrazione biblica e performatività liturgica: il Planctus virginum Israel super filia Iepte Galadite di Abelardoen_US
dc.typeArticleen_US
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