Browsing Sinestesieonline. A. 7, no. 22 (30 Gennaio 2018) by Submit Date
Now showing items 1-16 of 16
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Arab-Muslim theatre defended
(2018)This article re-visits Greek and Arab-Muslim theatres from the avant-garde perspective to illuminate the aesthetics of theatre to which scholars in the School of Orientalism and the School of Arab Intelligentsia should ... -
Desenmascaramiento, inmigración y neo-grotesco criollo: una aproximación a anclado en Madrid de Roberto Ibáñez
(2018)This paper is an analysis of Anclado en Madrid (1991), written by the Argentinean playwright and actor Roberto Ibanez. It focuses on how elements from the “grotesco criollo” tradition from the beginning of the XX Century ... -
Reading Frantz Fanon’s The Wretched of The Earth (1965) as a Social Drama Performance
(2018)The present paper focuses on the process of performance, which takes the center of the stage in Frantz Fanon’s The Wretched of the Earth (1965). The author’s presentation of the conceptual features of Enlightenment in ... -
Il potere evocativo dell’immagine nel bestiario pirandelliano
(2018)Pirandello’s interest in animals is evident in the narrative, in the early poems and in the plays. There is no shortage of critical juxtapositions to the fable and to Aesop, and in the critical literature of Pirandello ... -
Sull’ultimo romanzo di Pirandello
(2018)Giancarlo Mazzacurati defined One, No One and a Hundred Thousand, as Pirandello’s testamentary novel, a breathless and more or less conscious experiment of self-analysis as well as of self-therapy». The protagonist’s ... -
«Fatti da raccontare»: Piero Chiara fra realtà e finzione
(2018)The essay deals with Piero Chiara’s method of work, always relying upon the reality, from which the writer takes his characters’ names and the facts described in his short stories and novels. As a specimen of a similar ... -
Un giallo italiano all’origine della ripresa del culto dantesco
(2018)In the essay, the author conducts an intertextual inquiry that highlights the terms of the ‘dialogue’ between ancient and modern, in which Dante’s Comedy invariably returns a source the source, always alive and current, ... -
Per un profilo di Giovanni Mestica
(2018)The essay reconstructs a profile of Giovanni Mestica, professor, literary critic and man of institutions, referring above all to the commitment to promote the memory and knowledge of Giacomo Leopardi and his work.
