| dcterms.contributor.author | Galano, Sabrina | |
| dc.date.accessioned | 2019-07-11T07:56:53Z | |
| dc.date.available | 2019-07-11T07:56:53Z | |
| dcterms.date.issued | 2015 | |
| dcterms.identifier.citation | Galano, Sabrina,“Tecniche performative nella narrativa galloromanza.” «Testi e linguaggi» 9(2015): 99-123. [Studi monografici. Dimensioni del performativo, a cura di Flora de Giovanni e Lucia Perrone Capano] | it_IT |
| dcterms.identifier.isbn | 978-88-430-8039-7 | it_IT |
| dcterms.identifier.issn | 1974-2886 | it_IT |
| dcterms.identifier.uri | http://elea.unisa.it:8080/xmlui/handle/10556/3373 | |
| dcterms.identifier.uri | http://dx.doi.org/10.14273/unisa-1620 | |
| dc.description.abstract | Medieval literature, far more than modern, is characterized by the performative. Thanks to their
oral presentation and performances by jongleurs, each one different from the other, literary works
tend to change, to renew themselves, according to the audience’s tastes. This paper will examine
some of the most important and best known works in Old French, as well as in Occitan, in order
to pick out those stylistic and thematic aspects that concur to make the medieval literary tradition
performative. | it_IT |
| dcterms.format.extent | P. 99-123 | it_IT |
| dc.language.iso | it | it_IT |
| dcterms.publisher.alternative | Roma : Carocci | it_IT |
| dc.rights | 99-123 | it_IT |
| dcterms.source | UniSa. Sistema Bibliotecario di Ateneo | it_IT |
| dcterms.title | Tecniche performative nella narrativa galloromanza | it_IT |
| dcterms.type | Journal Article | it_IT |
