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dc.contributor.authorMontella, Luigi
dc.date.accessioned2019-07-15T09:29:14Z
dc.date.available2019-07-15T09:29:14Z
dc.date.issued2017
dc.identifier.citationMontella, Luigi. "L’antirealismo della poesia lirico-elegiaca nel Seicento." Sinestesie, XV, n. 1 (2017): 97-108it_IT
dc.identifier.isbn978-88-99541-80-4it_IT
dc.identifier.isbn978-88-99541-81-1 (ebook)
dc.identifier.issn1721-3509it_IT
dc.identifier.urihttps://www.sinestesierivistadistudi.it/it_IT
dc.identifier.urihttp://elea.unisa.it:8080/xmlui/handle/10556/3434
dc.identifier.urihttp://dx.doi.org/10.14273/unisa-1675
dc.description.abstractIt is analyzed the relationship between the ways of “making poetry” and the thought which dominates much of the Seventeenth Century. The slow decline of the parameters set by Bembo is documented by taking in consideration the innovative crossings of the Sixteenth Century opera, bringing in close contact the formal structures with the new exegetic instances and the changed cognitive order. Facing the composite universe of the baroque poetry, De Sanctis remains hesitant, being himself strictly attached to the criteria of his romantic spirit which directed him towards a pure realism, far from any speculative aspect. Finally, the two universes interact in the light of a complex and different vision of modernity.
dc.format.extentP. 97-108it_IT
dc.language.isoitit_IT
dc.publisherAvellino : Associazione culturale Internazionale Sinestesieit_IT
dc.sourceUniSa. Sistema Bibliotecario di Ateneoit_IT
dc.titleL’antirealismo della poesia lirico-elegiaca nel Seicentoit_IT
dc.typeJournal Articleit_IT
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