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dc.contributor.authorBajini, Irina Matilde
dc.date.accessioned2019-07-16T10:53:21Z
dc.date.available2019-07-16T10:53:21Z
dc.date.issued2018
dc.identifier.citationBajini, Irina Matilde, “L'esilio di Castelao in Argentina.” «Testi e linguaggi» 12(2018): 21-30. [Studi monografici. Sistemi e strategie di affermazione nella interazione A cura di Inmaculada Solís García, Juliette Delahaie e Nicoletta Gagliardi]it_IT
dc.identifier.isbn978-88-430-94-790it_IT
dc.identifier.issn1974-2886it_IT
dc.identifier.urihttp://elea.unisa.it:8080/xmlui/handle/10556/3508
dc.identifier.urihttp://dx.doi.org/10.14273/unisa-1744
dc.description.abstractAt the beginning of his Argentine exile from Galicia, the eclectic artist and politician Castelao staged a theatrical piece whose traditional, regionalist, comic-festive content and the wise literary use of galego seemed to respond to the desire to awaken in a community of immigrants tending to disengagement a feeling of nostalgia and belonging to their homeland. Os vellos non debem de namorarse, unanimously accepted as the greatest theatrical play of all time, was therefore represented with great success in 1941 , first in Buenos Aires and then in Montevideo. Presented as a simple game of love and death of three old careless, it is hard to believe, however, that it was only a good-natured farce and in fact turned into his spiritual testament.it_IT
dc.format.extentP. 21-30it_IT
dc.language.isoitit_IT
dc.publisherRoma : Carocciit_IT
dc.sourceUniSa. Sistema Bibliotecario di Ateneoit_IT
dc.titleL'esilio di Castelao in Argentinait_IT
dc.typeJournal Articleit_IT
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