| dc.contributor.author | Naar Gada, Nadia | |
| dc.date.accessioned | 2019-07-26T11:31:33Z | |
| dc.date.available | 2019-07-26T11:31:33Z | |
| dc.date.issued | 2017 | |
| dc.identifier.citation | Naar Gada,Nadia. "The African Worldview in Kateb Yacine’s Le cadavre encerclé (1954) and Les ancêtres redoublent de férocité (1959)." Sinestesieonline. A. 6, no. 21 (Ottobre 2017): 1-16 | it_IT |
| dc.identifier.issn | 2280-6849 | it_IT |
| dc.identifier.uri | http://sinestesieonline.it/wp-content/uploads/2018/03/ottobre2017-13.pdf | it_IT |
| dc.identifier.uri | http://elea.unisa.it:8080/xmlui/handle/10556/3698 | |
| dc.identifier.uri | http://dx.doi.org/10.14273/unisa-1928 | |
| dc.description.abstract | This paper revisits Kateb Yacine’s Le cadavre encerclé (The Encercled Cadaver, 1954)
and Les ancêtres redoublent de férocité (The Ancestors, 1959) by suggesting a new
direction for a reading, which helps to explain many invisible areas in the two plays.
This postcolonial approach may perforce the reverse of the reviews that stress the
author’s borrowing and imitation of the Western theatrical models. It is a reading, which
is based on the theoretical scheme, which was suggested by Wole Soyinka in his book
entitled Myth, Literature and the African World (1976). | it_IT |
| dc.format.extent | P. 1-16 | it_IT |
| dc.language.iso | en | it_IT |
| dc.publisher | Avellino : Associazione culturale Internazionale Sinestesie | it_IT |
| dc.source | UniSa. Sistema Bibliotecario di Ateneo | it_IT |
| dc.subject | Transitional figure | it_IT |
| dc.subject | Communion with ancestors | it_IT |
| dc.subject | Past myths and rituals | it_IT |
| dc.title | The African Worldview in Kateb Yacine’s Le cadavre encerclé (1954) and Les ancêtres redoublent de férocité (1959) | it_IT |
| dc.type | Journal Article | it_IT |
