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dc.contributor.authorCotticelli, Francesco
dc.date.accessioned2020-01-08T10:57:23Z
dc.date.available2020-01-08T10:57:23Z
dc.date.issued2019
dc.identifier.citationCotticelli, Francesco, "«La pratica senza la teorica»: qualche riflessione sulla memoria e sul progetto della scena in Perrucci (e nel teatro napoletano)." Sinestesieonline, A. 8, no. 26 (Maggio 2019) : 3-8it_IT
dc.identifier.issn2280-6849it_IT
dc.identifier.urihttp://sinestesieonline.it/wp-content/uploads/2019/06/maggio2019-11.pdfit_IT
dc.identifier.urihttp://elea.unisa.it:8080/xmlui/handle/10556/4051
dc.identifier.urihttp://dx.doi.org/10.14273/unisa-2268
dc.description.abstractThe essay constitutes a first approach to a research project. It focuses on a problem related to an analysis of Andrea Perrucci’s treatise Dell’arte rappresentativa premeditata, ed all’improvviso (1699). In this book concerning theatre poetics a new feeling of theatre emerges, which causes a shift to autobiography, intended as a way of transmitting a stage experience which cannot be expressed in theory and yet is essential in the actor’s education, as well as for every practitioner. This tendency establishes itself within the Italian theatre, especially in the dialectal world. Talking about oneself is the only way which the wisdom derived from a long lasting work on stage has in order to survive and pass memories on to the following generations. An actor’s career and practical issues reveal thus artistic choices, expressive matters, working methods; we have many biographies, which should be read – in accordance with what we now do with Perrucci’s text – as hidden poetics.it_IT
dc.format.extentP. 3-8it_IT
dc.language.isoitit_IT
dc.publisherAvellino : Associazione culturale Internazionale Sinestesieit_IT
dc.sourceUniSa. Sistema Bibliotecario di Ateneoit_IT
dc.subjectPerrucciit_IT
dc.subjectAutobiografiait_IT
dc.subjectTeatroit_IT
dc.subjectTeatro napoletanoit_IT
dc.subjectTheatreit_IT
dc.subjectAutobiographyit_IT
dc.subjectNeapolitan theatreit_IT
dc.title«La pratica senza la teorica»: qualche riflessione sulla memoria e sul progetto della scena in Perrucci (e nel teatro napoletano)it_IT
dc.typeJournal Articleit_IT
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