| dc.contributor.author | Oddi, Stefano | |
| dc.date.accessioned | 2020-01-08T14:27:26Z | |
| dc.date.available | 2020-01-08T14:27:26Z | |
| dc.date.issued | 2019 | |
| dc.identifier.citation | Oddi, Stefano, "L’Apocalisse, lo sguardo e la morte: da la Jetée di Chris Marker a Twelve Monkeys di Terry Gilliam." Sinestesieonline, A. 8, no. 26 (Maggio 2019) : 56-64 | it_IT |
| dc.identifier.issn | 2280-6849 | it_IT |
| dc.identifier.uri | http://sinestesieonline.it/wp-content/uploads/2019/06/maggio2019-07.pdf | it_IT |
| dc.identifier.uri | http://elea.unisa.it:8080/xmlui/handle/10556/4054 | |
| dc.identifier.uri | http://dx.doi.org/10.14273/unisa-2271 | |
| dc.description.abstract | In Twelve Monkeys, a 1995 post-apocalyptic feature, Terry Gilliam credits as his main source of inspiration Chris Marker’s La Jetée (1961), an experimental short movie whose story is told through a series of still images, defined by Marker as a photo-roman. This article analyzes the complex relation existing between the two movies, focusing on the different ways Marker and Gilliam approach themes like time, future, death and cinema. | it_IT |
| dc.format.extent | P. 56-64 | it_IT |
| dc.language.iso | it | it_IT |
| dc.publisher | Avellino : Associazione culturale Internazionale Sinestesie | it_IT |
| dc.source | UniSa. Sistema Bibliotecario di Ateneo | it_IT |
| dc.subject | Chris Marker | it_IT |
| dc.subject | Terry Gilliam | it_IT |
| dc.subject | Distopia | it_IT |
| dc.subject | Fantascienza | it_IT |
| dc.subject | Adattamento | it_IT |
| dc.subject | Dystopia | it_IT |
| dc.subject | Science Fiction | it_IT |
| dc.subject | Adaptation | it_IT |
| dc.title | L’Apocalisse, lo sguardo e la morte: da la Jetée di Chris Marker a Twelve Monkeys di Terry Gilliam | it_IT |
| dc.type | Journal Article | it_IT |
