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dcterms.contributor.authorLa Mantia, Fabio
dc.date.accessioned2020-02-04T15:13:38Z
dc.date.available2020-02-04T15:13:38Z
dcterms.date.issued2019
dcterms.identifier.citationLa Mantia, Fabio, "Risignificare Antigone The Island di Athol Fugard." Sinestesieonline, A. 8, no. 26 (Settembre 2019) : 20-28it_IT
dcterms.identifier.issn2280-6849it_IT
dcterms.identifier.urihttp://sinestesieonline.it/wp-content/uploads/2019/10/settembre2019-03.pdfit_IT
dcterms.identifier.urihttp://elea.unisa.it:8080/xmlui/handle/10556/4128
dcterms.identifier.urihttp://dx.doi.org/10.14273/unisa-2337
dc.description.abstractThis study aims to investigate The Island (1973), a South African rewriting of the Sophocles’s Antigone. The drama was conceived by Athol Fugard, the most acclaimed contemporary South African playwright, assisted by John Kani and Winston Ntshona, two actors-activists, as well as the unique interpreters of the pièce. In Fugard’s play, the existential path of the young Theban heroine intersects itself with the circumstances of a story that really happened in full apartheid interregnum: the impromptu staging of Antigone by prisoners of Robben Island (including Nelson Mandela), the penitentiary island off Cape Town. The theatre became not only an instrument of escape but above all of resistance, better still of survival.it_IT
dcterms.format.extentP. 20-28it_IT
dc.language.isoitit_IT
dcterms.publisher.alternativeAvellino : Associazione culturale Internazionale Sinestesieit_IT
dcterms.sourceUniSa. Sistema Bibliotecario di Ateneoit_IT
dcterms.subjectAntigoneit_IT
dcterms.subjectAthol Fugardit_IT
dcterms.subjectApartheidit_IT
dcterms.subjectRobben Islandit_IT
dcterms.subjectMetateatroit_IT
dcterms.subjectMetatheatreit_IT
dcterms.titleRisignificare Antigone The Island di Athol Fugardit_IT
dcterms.typeJournal Articleit_IT
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