Testi e linguaggi: Recent submissions
Items 221-240 di 357
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Il didatta, lo sciamano e l’interprete: Le baccanti euripidee secondo Luigi Squarzina
(Roma : Carocci, 2013)The contribution’s goal is to piece together the critical analysis project at the root of Squarzina’s directorial work on The Bacchae staging at Teatro Stabile in Genoa 1969. This preparatory path gives origin to a vast ... -
Licence to Adapt: the Resilience of the 007 Narration in Casino Royale
(Roma : Carocci, 2013)Attolino, Paola. “Licence to Adapt: the Resilience of the 007 Narration in Casino Royale.” «Testi e linguaggi» 7(2013):139-148. [Studi monografici. Letteratura in performance, a cura di A. D’Amelia e A. Piazza] -
Pantomime e parodie russe al Teatro degli Indipendenti di A. G. Bragaglia
(Roma : Carocci, 2013)The article examines some performances held in Rome in Anton Giulio Bragaglia’s Teatro degli Indipendenti (Theatre of Independents) by Russian artists (dancers, mimes, musicians and writers) during the Nineteen Twenties ... -
L’infinito intrattenimento. Dickens dalla pagina alle illustrazioni, agli schermi del “primo” cinema
(Roma : Carocci, 2013)The knowledge and the fortune of Charles Dickens’s works are also due to the beautiful illustrations of his short and long novels. The illustrations – painted by Cruikshank, Phiz, Leech – were reproduced as slides for the ... -
Strategie del patetico e interludi circensi in Hide and Seek di Wilkie Collins
(Roma : Carocci, 2013)Starting from Victor Turner’s definitions of cultural performance and liminoid phenomena, the essay aims to analyse Wilkie Collins’s third novel, Hide and Seek (1854), which seems to be a sort of survey of the pastimes ... -
Sipari gotici. Lo strano caso del Dr. Boaden e Mr. Lewis
(Roma : Carocci, 2013)Starting from the remarkable intellectual bond linking James Boaden and Matthew Gregory Lewis, this paper investigates the nature of the relationship that, at the end of the eighteenth century, came to be established between ... -
Dal manoscritto alla scena: El piadoso aragonés di Lope de Vega
(Roma : Carocci, 2013)Some of Lope de Vega’s comedies, those witnessed by an autograph manuscript, are of undeniable interest, as they provide the opportunity to observe closely the author’s work of composition which resulted in the text to be ... -
Tra narrazione biblica e performatività liturgica: il Planctus virginum Israel super filia Iepte Galadite di Abelardo
(Roma : Carocci, 2013)The Planctus virginum Israel super filia Iepte Galadite is the best known of six poems for music unanimously attributed to Abelard, generally known as the planctus. Reconsideration of some significant moments in the patristic ... -
Introduzione
(Roma : Carocci, 2013) -
‘Ich will nach Europa!’: lingua e performance in Perikızı. Ein Traumspiel di E. S. Özdamar
(Roma : Carocci, 2013)Perikızı. Ein Traumspiel is a play, conceived and written by the writer, director and German actress of Turkish origin Emine Sevgi Özdamar to be represented within the international project Odyssee Europe in Germany in the ... -
Performative pop. Faserland (1995) di Christian Kracht
(Roma : Carocci, 2013)Kracht’s first novel is about a trip through Germany. The first-person narrator, a semialcoholic young man belonging to the upper class, travels from the north to the south of the country; he spends his time going to parties ... -
Memory and Performance in Dublin’s Art Scenario: Brian O’Doherty and Sebastian Barry
(Roma : Carocci, 2013)In 2008 Brian O’Doherty buried his alter ego, Patrick Ireland, in Dublin, as a consequence of peace having been restored in Northern Ireland. “We are burying hate”, said the New York artist of Irish origin, “it’s not often ... -
Louis Hjelmslev, Teoria del linguaggio. Résumé : [recensione]
(Roma : Carocci, 2010) -
Anne Whitehead, Memory : [recensione]
(Roma : Carocci, 2010) -
Carlo Pagetti, Il corallo della vita. Charles Darwin e l’immaginario scientifico : [recensione]
(Roma : Carocci, 2010) -
Rossana Bonadei, I sensi del viaggio : [recensione]
(Roma : Carocci, 2010)
