Sinestesieonline. A. 9, no. 30 (Settembre 2020)
Immissioni Recenti
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«Benvenuta devastazione». Una proposta di lettura in chiave “antropologica” de ‘Il contagio’. Parte II
(Avellino : Associazione culturale Internazionale Sinestesie, 2020)This work (divided in two parts) looks at Walter Siti’s Il contagiofrom an anthropological perspective. Throughout the reading of Amselle, Augé and Lévi-Strauss a new way of reading one of the ... -
Sondaggi sul lessico dell’edilizia in siciliano medievale: il contributo dell’inventario di Alvaro Paternò
(Avellino : Associazione culturale Internazionale Sinestesie, 2020)With a view to edit the Vocabolario del Siciliano Medievale(VSM), this paper collects somemarginal notes taken from the recent edition of the Inventario by Don Alvaro Paternò. We intendto test, for the first time on the ... -
Alcune considerazioni sul dettaglio in letteratura ed un saggio di analisi
(Avellino : Associazione culturale Internazionale Sinestesie, 2020)The essay proposes some considerations on the value of detail in literature, taking into consideration the positions of great writers, from Leopardi to Chekhov to Nabokov. On the basis of exposedreflections, the novel The ... -
Sotto il segno del “naufragio”: la scrittura autobiografica di Pietro Giannone
(Avellino : Associazione culturale Internazionale Sinestesie, 2020)Pietro Giannone, imprisoned in the fortress of Miolans, between April 1736 and September of the following year, wrote the Vita, which remained forgotten until 1890. The autobiographical pages, ... -
«Dalla parte di lei»: paradigmi scomposti. Lettura in parallelo dei romanzi ‘Nessuno torna indietro’ di Alba De Céspedes e ‘Tra donne sole’ di Cesare Pavese
(Avellino : Associazione culturale Internazionale Sinestesie, 2020)The essay presents itself as a comparative analysis of novels. Nessuno torna indietrofrom Alba De Céspedes and Tra donne sole by Cesare Pavese, highlighting interesting analogies and food for thought. One of ... -
Theatrum mundus, spectator Deus: Agostino e il rapporto tra filosofia e teatro
(Avellino : Associazione culturale Internazionale Sinestesie, 2020)Augustin works out, in his long production, a complex but unitary vision of creation; according to him, the history is the scene of the course of human actions (theatrum mundus) and God is at the same time creator and sole ... -
Per un’etica della memoria. Interferenze benjaminiane in Vincenzo Consolo
(Avellino : Associazione culturale Internazionale Sinestesie, 2020)Vincenzo Consolo’s writing is based on the idea of memory as human heritage storage and muse for the creative process. This essay aims to cross the mnestic signature of the Sicilian author with philosopher ... -
Echi testuali dalla ‘Commedia’ a Mario Luzi
(Avellino : Associazione culturale Internazionale Sinestesie, 2020)In these pages we analyze the dynamics of intertextual relationships established at a distance and between texts of different origins, including famous fragments of opera. The first of these retakes involves Leopardi's use ... -
In dialogo con L. Rino Caputo su ispezioni, ragioni e ricostruzioni della forma-romanzo fra Ottocento e Novecento, in Italia
(Avellino : Associazione culturale Internazionale Sinestesie, 2020)This work, which is a part of a more varied and in-depth study, in the form of an interview with Rino Caputo, professor of Italian literature, retraces and analyses the transformation of the literary ... -
Il ‘Romanzo di Francia’ o ‘Libro di Fioravante’ del Ms BNF 859: premessa all’edizione critica
(Avellino : Associazione culturale Internazionale Sinestesie, 2020)The manuscript containing the Romanzo di Francia, also known as the Libro di Fioravante, belongs to the type of manuscript whose interest goes beyond the work itself, since its physical aspect, the main features ... -
L’immaginario arboreo nelle poesie di Girolamo Comi
(Avellino : Associazione culturale Internazionale Sinestesie, 2020)The article deals with the vegetable element in Girolamo Comi’s poems (1890-1968). The vegetal element is not only understood as part of the natural scenery and landscape context, but as a ... -
La lezione dell’arte. Una lettura pedagogica di ‘Arte come esperienza’ di John Dewey
(Avellino : Associazione culturale Internazionale Sinestesie, 2020)This contribution has the aim of highlight the pedagogical significance of the deweyan aesthetic, as it has been developed by the American philosopher in the masterpiece Art as Experience(1934). Beginning from the ... -
Living in between: cultural conflict and déchirée identity in Beur writers
(Avellino : Associazione culturale Internazionale Sinestesie, 2020)The literary works of beurwriters, the sons of North African immigrants in France, are characterizedby a strong cultural conflict and an uncertain sense of identity. Divided between Islamic culture of their ... -
Rappresentazioni letterarie di pietà popolare in opere in volgare siciliano (secc. XV-XVI)
(Avellino : Associazione culturale Internazionale Sinestesie, 2020)The increase of studies on the literary and paraliterary production of the medieval vernacular Sicilian language, through the publication of new texts and more precise re-editions of those previously published, ... -
Disegno d’ombre. L’innovazione scenica del Bauhaus
(Avellino : Associazione culturale Internazionale Sinestesie, 2020)The essay investigates how the Bauhaus theatre fits within the avant-garde chapter recovering the concept of "shadow" and which innovation elements of the Bauhaus are present in contemporary stage experimentation. ... -
Statue, penitenti e corpi immobili nei riti settennali di Guardia Sanframondi
(Avellino : Associazione culturale Internazionale Sinestesie, 2020)At Guardia Sanframondi(BN), every seven years, the Madonna Assunta is celebrated with a very complex religious ritual that “stages” the corporal mortification of penitents; the immobile bodies of the figures ... -
Violence in ‘Titus Andronicus’: a Benjaminian approach
(Avellino : Associazione culturale Internazionale Sinestesie, 2020)This paper offers an interpretation of Shakespeare’s Titus Andronicus from the vantage of Walter Benjamin’s concept of«divine violence»,which he theorized in his early work A Critique of Violence(1921). Titus is ... -
«Stirring up the ashes»: Sony Iabou Tansi’s adaptation of Romeo and Juliet
(Avellino : Associazione culturale Internazionale Sinestesie, 2020)This article presents an English translation of an adaptation of Romeo and Juliet, explaining the background to the play and its writer, the Congolese novelist and playwright, Sony Labou Tansi. Best known in the West for ... -
La performance du corps ou le corps de la performance dans ‘Seuls’ de Wajdi Mouawad
(Avellino : Associazione culturale Internazionale Sinestesie, 2020)At the crossroad of themes and cultures, Wajdi Mouawad’s writing reflects a rhizomatic array of artistic genres and the most contemporary techniques of performance. Among the writing of this playwright, Seuls constitutes ... -
Signs in indigenous tales: a semiotic analysis
(Avellino : Associazione culturale Internazionale Sinestesie, 2020)Translation and interpretation may be all that are needed to break the bulwark surrounding meanings of folktales in some remote cultures. Using a combination of Peircean’s semiotic objects, representamen and interpretant; ...
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