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dc.contributor.authorDelgado López, Enrique
dc.contributor.authorPalomo Hatem, Ludwing Eder Faisal
dc.date.accessioned2021-07-29T10:01:19Z
dc.date.available2021-07-29T10:01:19Z
dc.date.issued2020
dc.identifier.issn2539-0791it_IT
dc.identifier.urihttps://editorial.ucatolica.edu.co/index.php/RevClat/article/view/3833/3543it_IT
dc.identifier.urihttp://elea.unisa.it:8080/xmlui/handle/10556/5691
dc.identifier.urihttp://dx.doi.org/10.14273/unisa-3796
dc.description.abstractIn the early years of the twentieth century, an autochthonous Pentecostalism emerged in Chile, which, among other things, differed from the rest of the Latin American Pentecostalisms by the ornamentation of its temples, since they are adorned with murals that contain representations of biblical passages, but go further, because in them they incorporate icons of the national, regional and landscape culture of the country. this research article focus on these murals act as pedagogical elements to consolidate the Pentecostal doctrine, at the same time as they form a national identity, which is rooted in a kind of civic-religious binomial, since the iconography links its faith with its geographic and cultural context.it_IT
dc.format.extentP. 214-23it_IT
dc.language.isoesit_IT
dc.sourceUniSa. Sistema Bibliotecario di Ateneoit_IT
dc.subjectPentecostalismit_IT
dc.subjectIconographyit_IT
dc.subjectIconoclasmit_IT
dc.subjectNationalismit_IT
dc.subjectIdentityit_IT
dc.titlePentecostalismo e identidad nacional. El uso de la iconografía en los templos pentecostales de Chileit_IT
dc.typeJournal Articleit_IT
dc.relation.ispartofjournalCultura Latinoamericana. Revista de estudios interculturalesit_IT
dc.identifier.doihttp://dx.doi.org/10.14718/CulturaLatinoam.2020.32.2.9it_IT
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