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dc.contributor.authorHandro, Saskia
dc.date.accessioned2022-05-24T11:05:01Z
dc.date.available2022-05-24T11:05:01Z
dc.date.issued2014
dc.identifier.citationSaskia Handro, Musealisierte Zeitzeugen. Ein Dilemma, «Public history weekly», 2, 2014, n. 14, [Consultabile solo online], dx.doi.org/10.1515/phw-2014-1817it_IT
dc.identifier.issn2197-6376it_IT
dc.identifier.urihttps://public-history-weekly.degruyter.com/2-2014-14/musealisierte-zeitzeugen-ein-dilemma/it_IT
dc.identifier.urihttp://elea.unisa.it:8080/xmlui/handle/10556/6099
dc.identifier.urihttp://dx.doi.org/10.14273/unisa-4191
dc.description.abstractOnce the aura of three-dimensional objects attracted strollers to museums and exhibitions. But it is precisely in the field of contemporary history that the temples of the muses are changing from places of aesthetic experience to mediatized narrative spaces in which the museum tourist makes his way through the jungle of audio stations and video projections. Snippets of contemporary witnesses create the illusion of polyphonic memory(s). Not infrequently, however, they make critical distancing more difficult and re-stage the “boundaries of the sayable”.it_IT
dc.format.extentSolo onlineit_IT
dc.language.isodeit_IT
dc.publisherS. Handro, Musealisierte Zeitzeugen. Ein Dilemma, «Public history weekly», 2, 2014, n. 14it_IT
dc.rightsCC BY 4.0it_IT
dc.sourceUniSa. Sistema Bibliotecario di Ateneoit_IT
dc.titleMusealisierte Zeitzeugen. Ein Dilemmait_IT
dc.typeArticleit_IT
dc.relation.ispartofjournalPublic history weekly. The open peer review journalit_IT
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